Been So Good 2022
"On the subway ride home from a catering gig, a struggling actor runs into her ex, a successful Broadway star."
Director Annalise Lockhart's sharp 11-minute drama *Been So Good (2022)* captures a raw, fleeting subway encounter that unravels a world of unspoken rivalry and artistic frustration.
Director: Annalise Lockhart
Cast
Frequently Asked Questions
What is Been So Good (2022) about?
*Been So Good* follows Jay, a struggling actor who bumps into her ex—a celebrated Broadway star—during a late-night subway ride home from a catering gig. The chance collision forces Jay to grapple with her own unmet ambitions and the quiet desperation of working gigs while watching others succeed. It's a poignant snapshot of artistic frustration set against the hum of the city.
Who directed Been So Good?
Annalise Lockhart directed *Been So Good*, bringing a keen eye for intimate drama and emotional tension to this 11-minute film.
Who stars in Been So Good?
The film features Mary Glen Fredrick as Jay and Toby Onwumere as her ex, delivering powerful performances that drive the story forward.
Is Been So Good (2022) worth watching?
With its tightly woven narrative and strong performances, *Been So Good* offers a compelling look at artistic struggles in just 11 minutes. While it's not rated on IMDb, its concise storytelling and emotional depth make it a standout short film worth experiencing for fans of character-driven dramas.
How long is Been So Good?
*Been So Good* has a runtime of 11 minutes.
About Been So Good (2022) — A subway confrontation reveals art, envy, and the cost of unfulfilled dreams
Director Annalise Lockhart's sharp 11-minute drama *Been So Good (2022)* captures a raw, fleeting subway encounter that unravels a world of unspoken rivalry and artistic frustration. Struggling actor Jay, returning home from a catering shift, locks eyes with her ex—a dazzling Broadway star basking in well-deserved success. As the subway rattles through the city's underbelly, Jay is forced to confront emotions that cut deeper than jealousy: the gnawing weight of dreams deferred, the humiliations of gig work, and the quiet rage of talent unseen. Lockhart crafts a tense, intimate atmosphere where every glance and sigh speaks volumes, turning a chance meeting into a microcosm of modern artistic struggle.
With minimal runtime and maximal emotional precision, *Been So Good* distills the bittersweet ache of comparison into a compact, devastating narrative. Fredrick and Onwumere deliver powerhouse performances that balance wounded pride with quiet resilience, grounding the film's themes in deeply human moments. A micro-drama that lingers long after the credits roll, this small-scale gem is a testament to how art can thrive in the most unexpected settings.