POINTEUSE ET APRES (LA) 1972
Shot in 1972 by filmmaker Christian Deloeuil, *POINTEUSE ET APRES (LA)* is a bold experimental short that blurs the line between fiction and reality.
Director: Christian Deloeuil
Frequently Asked Questions
What is POINTEUSE ET APRES (LA) (1972) about?
This experimental short film follows a young garment-factory worker as she shares her life and activism, framed within the daily ritual of clocking out. Disguised as a documentary on overalls, it reveals a personal and political story rooted in her militant family background.
Who directed POINTEUSE ET APRES (LA)?
The film was directed by Christian Deloeuil, known for his evocative and politically engaged filmmaking style.
Who stars in POINTEUSE ET APRES (LA)?
The cast includes an unknown young worker whose real-life testimony drives the narrative, supported by the filmmaker and factory personnel.
Is POINTEUSE ET APRES (LA) (1972) worth watching?
Given its historical context and experimental nature, *POINTEUSE ET APRES (LA)* offers a fascinating look at 1970s labor movements through a personal lens. While niche, it rewards viewers interested in early cinéma vérité and social cinema.
How long is POINTEUSE ET APRES (LA)?
The runtime is 23 minutes.
About POINTEUSE ET APRES (LA) (1972) — Worker's testimony in a disguised cinéma vérité short film
Shot in 1972 by filmmaker Christian Deloeuil, *POINTEUSE ET APRES (LA)* is a bold experimental short that blurs the line between fiction and reality. Disguised as a documentary on garment-factory overalls, the film unfolds as a young worker shares her life story—rooted in her militant upbringing as the daughter of a CGT railway activist. The camera captures the ritual of clocking out, then lingers on the unspoken tensions between labor and leadership, weaving personal testimony into the stark rhythms of industrial life.
With a runtime of just 23 minutes, this rare artifact offers a glimpse into late 20th-century social struggles through the lens of cinéma vérité. Its raw, unfiltered approach immerses viewers in the emotional weight of class identity and resistance. For cinephiles and historians alike, *POINTEUSE ET APRES (LA)* (1972) stands as both a personal homage and a political statement—one that transforms everyday factory moments into cinema of profound resonance.