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Gelijkenis 1967

21 min📅 1967-01-01

In this concise yet sharp 1967 short film from Micha Frenkel, a man finds himself trapped in a surreal identity crisis when everyone he meets confuses him for someone else entirely.

Director: Micha Frenkel

Cast

Wim Burkunk
Wim Burkunk

Frequently Asked Questions

What is Gelijkenis (1967) about?

Gelijkenis follows a man whose life takes an unexpected turn when every stranger he encounters confuses him for another person entirely. As he tries to correct these mistakes, the situation spirals into absurdity, revealing deeper themes about identity, perception, and the chaos of modern life.

Who directed Gelijkenis?

Gelijkenis was directed by Micha Frenkel, a Dutch filmmaker known for his sharp, minimalist storytelling and keen eye for social satire.

Who stars in Gelijkenis?

The film stars Wim Burkunk in the lead role, supported by an ensemble cast who bring the story's quirky characters to life.

Is Gelijkenis (1967) worth watching?

While Gelijkenis is a short film, its clever script and engaging themes make it a compelling watch for fans of experimental drama and dark comedy. Its brevity and sharp focus ensure it holds attention, though it's best suited for viewers who appreciate understated storytelling.

How long is Gelijkenis?

Gelijkenis runs for 21 minutes.

About Gelijkenis (1967) — A Quirky Short Film About Identity and Misunderstanding

In this concise yet sharp 1967 short film from Micha Frenkel, a man finds himself trapped in a surreal identity crisis when everyone he meets confuses him for someone else entirely. The Dutch director crafts a darkly comedic yet thought-provoking drama, where bureaucracy meets absurdity in just 21 minutes. Wim Burkunk delivers a standout performance as the bewildered protagonist, whose every attempt to assert his true identity only deepens the misunderstanding. The film blends sharp social commentary with dry humor, exploring themes of anonymity, miscommunication, and the fragility of human connection in an increasingly detached world.

Gelijkenis (1967) lingers in the mind long after the credits roll, a masterclass in economy that proves less is often more. Frenkel's direction is meticulous, using minimal dialogue and maximum visual storytelling to immerse viewers in a world where the protagonist's existence feels both mundane and surreal. The atmosphere is one of quiet unease, where laughter and frustration intertwine, leaving audiences questioning the boundaries between recognition and erasure.