A Short Trip on a Big Carousel Poster

A Short Trip on a Big Carousel 2002

28 min📅 2002-01-01

Mykhailo Illienko's intimate documentary *A Short Trip on a Big Carousel (2002)* captures a fleeting yet unforgettable moment in time—June's revelation of Kyiv through the eyes of an awestruck traveler.

Director: Mykhailo Illienko

Frequently Asked Questions

What is *A Short Trip on a Big Carousel (2002)* about?

This 28-minute documentary follows a traveler's first encounter with Kyiv, blending vivid memories with urban exploration. Director Mykhailo Illienko crafts a poetic reflection on perception, nostalgia, and the unexpected ways a city reveals itself.

Who directed *A Short Trip on a Big Carousel*?

Mykhailo Illienko directed this intimate documentary, known for his evocative visual storytelling.

Who stars in *A Short Trip on a Big Carousel*?

Director information is not available.

Is *A Short Trip on a Big Carousel (2002)* worth watching?

As an unrated documentary, it offers a unique, reflective slice-of-life experience. Its short runtime and poetic approach make it a niche but rewarding watch for fans of slow cinema and personal documentaries.

How long is *A Short Trip on a Big Carousel*?

The runtime is 28 minutes.

🎥 Trailer

A Short Trip on a Big Carousel (2002): A Personal Kyiv in 28 Minutes — Full Movie Info

Mykhailo Illienko's intimate documentary *A Short Trip on a Big Carousel (2002)* captures a fleeting yet unforgettable moment in time—June's revelation of Kyiv through the eyes of an awestruck traveler. The film strips away the polished postcards and cinematic clichés to reveal the city in raw, personal recollections. Director Illienko frames this 28-minute journey as a sensory carousel ride, where the earth itself seems to revolve around the narrator's memories. From the indifferent gaze at Vladimir the Baptist to the tactile memory of a childhood well crank, the documentary weaves nostalgia with urban discovery, painting Kyiv not as a postcard, but as a living, breathing experience. The atmosphere is one of quiet wonder, where the past and present collide in a single, reflective gaze.

This short film transcends its brevity, blending documentary precision with poetic introspection. Illienko's lens lingers on the textures of a city rediscovered—its customs, its monuments, its hidden rhythms—transforming an ordinary day into a cinematic keepsake. The themes of memory, perception, and the uncanny familiarity of new vistas resonate long after the carousel stops spinning.