Rehearsals, Rehearsals Only 1989
Dive into the raw creative process behind Tadeusz Kantor and Cricot 2 Theater's avant-garde spectacle *Dzis są moje urodziny* (Today is My Birthday) with *Rehearsals, Rehearsals Only* (1989).
Director: Andrzej Sapija
Frequently Asked Questions
What is Rehearsals, Rehearsals Only (1989) about?
*Rehearsals, Rehearsals Only* peels back the curtain on the meticulous, often chaotic journey behind Tadeusz Kantor and Cricot 2 Theater's production *Today is My Birthday*. The film distills nearly 50 hours of rehearsal footage into a 100-minute documentary that captures the troupe's creative struggles, breakthroughs, and the unfiltered energy of live performance.
Who directed Rehearsals, Rehearsals Only?
The film was directed by Andrzej Sapija, who transformed raw, unedited rehearsal footage into a compelling documentary that offers a unique window into avant-garde theater.
Who stars in Rehearsals, Rehearsals Only?
Director information is not available.
Is Rehearsals, Rehearsals Only (1989) worth watching?
While *Rehearsals, Rehearsals Only* isn't for everyone—its experimental nature and lack of traditional narrative may polarize viewers—it's a fascinating study for theater enthusiasts and fans of unfiltered creative processes. The documentary's authenticity and connection to Tadeusz Kantor's legacy make it a niche but rewarding watch.
How long is Rehearsals, Rehearsals Only?
The film runs for 100 minutes.
About Rehearsals, Rehearsals Only (1989) — A Candid Look at Avant-Garde Theater's Raw Process
Dive into the raw creative process behind Tadeusz Kantor and Cricot 2 Theater's avant-garde spectacle *Dzis są moje urodziny* (Today is My Birthday) with *Rehearsals, Rehearsals Only* (1989). This intimate documentary, directed by Andrzej Sapija, distills nearly 50 hours of unfiltered rehearsal footage into a hypnotic 100-minute journey through the evolution of a groundbreaking performance. Shot between October 1989 and December 1990, the film captures the messiness, spontaneity, and artistic tension of live theater in its rawest form, offering a rare glimpse into the birth of a cultural landmark.
Sapija's lens transforms mundane moments into cinematic gold, revealing how a theater troupe navigates creativity, collaboration, and the pressures of artistic vision. The atmosphere is both chaotic and mesmerizing, blending the documentary's documentary aesthetic with the surreal, almost mystical energy of Kantor's avant-garde style. For fans of experimental film and theater history, this is a must-see—an unpolished gem that celebrates the art of rehearsal itself.