
All Screwed Up 1974
"Their Love Life... Their Home Life... Their Work Life... Their Sex Life... Things in General"
Dive into Lina Wertmüller's sharp, humorous *All Screwed Up (1974)*, a vibrant drama-comedy that follows a group of southern Italian workers scraping by in Milan's cutthroat 1970s economy.
Director: Lina Wertmüller
Cast








Frequently Asked Questions
What is All Screwed Up (1974) about?
The film follows southern Italian workers sharing a Milan apartment in the 1970s, where survival hinges on money above all else. As their personal and professional lives unravel, humor and tension collide in a story about ambition, friendship, and the cost of chasing stability.
Who directed All Screwed Up?
All Screwed Up was directed by Lina Wertmüller, the acclaimed Italian filmmaker known for her bold, socially conscious films that blend comedy and drama.
Who stars in All Screwed Up?
The film stars Luigi Diberti, Nino Bignamini, Lina Polito, Sara Rapisarda, and Giuliana Calandra in pivotal roles.
Is All Screwed Up (1974) worth watching?
Given its blend of sharp social satire and genuine humor, *All Screwed Up (1974)* is a standout from Lina Wertmüller's filmography. While not widely rated on IMDb, its themes of economic hardship and resilience still resonate today, making it a compelling watch for fans of 1970s Italian cinema.
How long is All Screwed Up?
All Screwed Up runs for 105 minutes.
About All Screwed Up (1974) — Lina Wertmüller's Satirical Take on Money and Survival in 1970s Milan
Dive into Lina Wertmüller's sharp, humorous *All Screwed Up (1974)*, a vibrant drama-comedy that follows a group of southern Italian workers scraping by in Milan's cutthroat 1970s economy. More than just a tale of financial struggle, this film blends satire with heart as it dissects love, work, and survival when money dictates every life decision. With its ensemble cast of Italian stars and Wertmüller's signature wit, the movie paints a vivid portrait of camaraderie and chaos in a city that cares only about the bottom line. Expect a mix of biting social commentary and relatable chaos.
At its core, *All Screwed Up (1974)* balances comedy and drama, using humor to soften the blow of harsh realities. The story unfolds in a communal apartment where dreams collide with daily grind, offering a snapshot of an era when economic pressures shaped relationships. Wertmüller's direction keeps the tone lively, even as it tackles themes of ambition, exploitation, and the lengths people go to for security.