
The Moth 1980
In 1980, Polish director Tomasz Zygadło crafted the psychological drama *The Moth*, a haunting exploration of isolation and the fragile line between professional dedication and personal unraveling.
Director: Tomasz Zygadło
Cast








Frequently Asked Questions
What is The Moth (1980) about?
*The Moth* follows Jan, a radio host whose nightly talk show becomes a lifeline for struggling callers, only to find his own life and marriage unraveling. As his efforts go unappreciated and his personal demons grow, the film delves into themes of isolation, sacrifice, and the cost of caring too deeply.
Who directed The Moth?
The Moth was directed by Tomasz Zygadło, a filmmaker known for his introspective storytelling and focus on human struggles.
Who stars in The Moth?
The film stars Roman Wilhelmi as Jan, alongside Anna Seniuk, Iwona Bielska, Nela Obarska, and Jerzy Trela in pivotal roles.
Is The Moth (1980) worth watching?
While *The Moth* lacks an IMDb rating, its themes of psychological strain and societal indifference make it a compelling watch for fans of slow-burn dramas. The film's atmosphere and performances lend it a quietly powerful resonance.
How long is The Moth?
The Moth runs for 100 minutes.
About The Moth (1980) — A Psychological Drama of Loneliness and Neglect
In 1980, Polish director Tomasz Zygadło crafted the psychological drama *The Moth*, a haunting exploration of isolation and the fragile line between professional dedication and personal unraveling. The film follows Jan, a nightly radio talk-show host who tirelessly counsels callers seeking solace, believing his work offers a beacon of hope in their loneliness. Yet as his program's significance goes unnoticed by his indifferent colleagues, Jan's conviction wavers, mirroring the erosion of his own stability. His marriage crumbles under the weight of his wife's alcoholism, amplifying his sense of failure.
*The Moth (1980)* paints a melancholic portrait of midlife crisis and societal neglect, where the protagonist's noble intentions are met with inertia and apathy. The mood is oppressive, draped in quiet desperation as Jan grapples with the loneliness of his mission—both on-air and at home.