Home Kill 2000
"Some of them just aren't meant to make it."
Andrew Bancroft's *Home Kill (2000)* delivers a chilling slice of rural horror wrapped in a deceptively pastoral setting. This 14-minute short film unfolds like a dark folk tale, where tensions simmer beneath the surface of a quiet farmhouse before erupting in brutal violence.
Director: Andrew Bancroft
Cast
Frequently Asked Questions
What is Home Kill (2000) about?
*Home Kill* follows a farmhand whose simmering resentment over his place on a rural farm spirals into violence, disrupting the lives of the farmer, his wife, and his sibling. What begins as a clash of egos quickly escalates into a brutal confrontation inside the farm's barn, turning a once-peaceful homestead into a scene of carnage.
Who directed Home Kill?
Andrew Bancroft directed *Home Kill*, blending drama and horror to craft a tense, atmospheric short film.
Who stars in Home Kill?
The film features Craig Hall as the troubled farmhand, alongside Ross Harper as the farmer, Sara Wiseman as his wife, and Leighton Cardno as Ken's simple-minded sibling.
Is Home Kill (2000) worth watching?
While unrated on IMDb, *Home Kill* packs a punch in its 14-minute runtime, offering a gripping mix of drama and horror that lingers long after the credits. Its raw tension and unsettling themes make it a compelling watch for fans of short-form thrillers.
How long is Home Kill?
*Home Kill* runs for 14 minutes.
About Home Kill (2000) — A Dark Short Where Blood Spoils the Barn
Andrew Bancroft's *Home Kill (2000)* delivers a chilling slice of rural horror wrapped in a deceptively pastoral setting. This 14-minute short film unfolds like a dark folk tale, where tensions simmer beneath the surface of a quiet farmhouse before erupting in brutal violence. Craig Hall stars as the ambitious farmhand whose resentment over his station explodes into chaos, while Ross Harper portrays the farmer caught in the crossfire of pride and paranoia. Sara Wiseman and Leighton Cardno round out the cast as the farmer's wife and simple-minded sibling, respectively, their lives upended by the intruder's twisted sense of justice. With its claustrophobic atmosphere and visceral payoff, Bancroft crafts a tense allegory about class resentment and the fragility of isolation.
The film's grim tone is underscored by the tagline *Some of them just aren't meant to make it*, hinting at the inevitability of violence lurking beneath the rustic charm. *Home Kill* blends drama and horror with unsettling precision, leaving audiences to question how far desperation can push someone—and how quickly a peaceful idyll can curdle into bloodshed.