Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile 1969
In 1969, artist Richard Long embarked on a meditative journey through the English countryside, creating an impermanent yet striking artwork titled *Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile*.
Director: Richard Long
Frequently Asked Questions
What is *Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile* (1969) about?
This experimental film documents artist Richard Long's solitary walk through a rural landscape, where he traces a precise 10-mile path by repeatedly moving forward and backward. The work captures the ephemeral nature of his presence in the environment, leaving behind only temporary marks before nature reclaims them.
Who directed *Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile*?
Director information is not available.
Who stars in *Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile*?
The cast list for this film is not documented, as it features only artist Richard Long in a performance-based role.
Is *Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile* (1969) worth watching?
While niche in appeal, this film offers a unique blend of minimalist art and conceptual performance that rewards viewers seeking avant-garde cinema. Its meditative pace and thematic depth make it intriguing for fans of experimental film, though it may not suit mainstream audiences. Availability is limited, so those curious should seek out curated collections of land art films.
How long is *Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile*?
Runtime details are not listed.
About Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile (1969) — Land Art Meets Minimalist Cinema
In 1969, artist Richard Long embarked on a meditative journey through the English countryside, creating an impermanent yet striking artwork titled *Walking A Straight 10 Mile Line, Forward and Back Shooting Every Half Mile*. This minimalist film captures Long's repetitive path through a grassy field, as he walks a strict 10-mile trajectory—forward and backward—marking the landscape with subtle traces of his presence. The piece unfolds with a hypnotic rhythm, blending natural beauty with the discipline of conceptual art. Shot in stark black and white, the film conveys themes of solitude, exploration, and the transient nature of human mark-making in the environment.
This avant-garde work stands as a testament to Long's pioneering approach to land art, where the process itself becomes the art. The absence of dialogue or conventional narrative invites viewers to reflect on the interplay between movement, time, and the fleeting imprint left by the artist. The film's serene yet deliberate atmosphere makes it a fascinating study for those interested in experimental cinema and the boundaries of artistic expression. Though unrated, its quiet intensity speaks volumes without the need for conventional cinematic devices.