The Bride, The Bachelors - Even Poster

The Bride, The Bachelors - Even 1992

15 min📅 1992-01-01

Sanja Iveković's *The Bride, The Bachelors - Even* (1992) is a hypnotic short film that dissects the intersections of desire, technology, and gender in the early '90s.

Director: Sanja Iveković

Frequently Asked Questions

What is *The Bride, The Bachelors - Even* (1992) about?

*The Bride, The Bachelors - Even* probes whether the buzz in our ears is the hum of modern life—or something far more intimate. Sanja Iveković's film turns the act of listening into a metaphor for desire, dissecting how new technologies amplify, distort, and redefine human connection in a world stripped of its illusions.

Who directed *The Bride, The Bachelors - Even*?

The film was directed by Sanja Iveković, a pioneering Croatian artist and filmmaker known for her experimental works that challenge societal norms and explore gender, power, and media.

Who stars in *The Bride, The Bachelors - Even*?

Cast details for *The Bride, The Bachelors - Even* are not publicly available.

Is *The Bride, The Bachelors - Even* (1992) worth watching?

As an avant-garde short film, *The Bride, The Bachelors - Even* offers a unique viewing experience for those drawn to experimental cinema. Its 15-minute runtime demands patience, but rewards with a haunting meditation on desire and technology. While not a mainstream narrative, it's a fascinating piece for fans of Iveković's provocative style.

How long is *The Bride, The Bachelors - Even*?

The runtime for *The Bride, The Bachelors - Even* is 15 minutes.

About The Bride, The Bachelors - Even (1992) — An avant-garde film on love and signals

Sanja Iveković's *The Bride, The Bachelors - Even* (1992) is a hypnotic short film that dissects the intersections of desire, technology, and gender in the early '90s. Through a minimalist lens, Iveković explores how modern communication—whether radio waves or the hum of unseen machinery—becomes a conduit for human longing. The film's experimental tone mirrors the era's technological optimism, framing love as both a transmitted signal and a distorted echo. With its stark visuals and layered soundtrack, it invites viewers into a world where emotional aspirations collide with mechanical precision, leaving the line between connection and interference deliciously blurred.

This 15-minute avant-garde piece is a study in contrasts, balancing raw intimacy with cold abstraction. Iveković's direction strips back the conventions of narrative filmmaking, instead opting for a sensory experience that lingers like a half-remembered melody. The film's themes of symmetry—between longing and fulfillment, noise and clarity—challenge audiences to question what they're really hearing when they tune into the frequencies of desire. A cult gem for fans of experimental cinema, it's a fleeting yet unforgettable exploration of how technology reshapes human emotion.