Good Name 1971
In the early 1970s, Soviet animation took an imaginative turn with *Good Name (1971)*, a whimsical short film by director Yevhen Syvokin that weaves a fable-like story around nature and identity.
Director: Yevhen Syvokin
Frequently Asked Questions
What is Good Name (1971) about?
*Good Name* follows a modest ant carrying an extravagant Latin name, facing ridicule in the animal kingdom. When a sudden downpour arrives, the ant's ingenuity shines as it builds a shared shelter, turning its burden into an unexpected act of community. The story blends whimsy with subtle social commentary, reflecting on identity and collective survival.
Who directed Good Name?
Yevhen Syvokin directed *Good Name (1971)*, a Soviet-Ukrainian animator known for blending fable-like storytelling with allegorical depth in his works.
Who stars in Good Name?
The main characters include a determined ant, a wise old lion, a loyal dog, and a strong ox, each embodying different traits in this symbolic tale.
Is Good Name (1971) worth watching?
As a lost Soviet animation short, *Good Name* is more of a historical curiosity than a mainstream pick. Its poetic themes and brief runtime make it intriguing for fans of classic animation, though its unavailability limits accessibility. Still, its story's charm and censorship history add layers worth exploring for enthusiasts.
How long is Good Name?
Runtime details for *Good Name (1971)* are not listed.
About Good Name (1971) — A Forgotten Soviet Animation Fable of Resilience and Identity
In the early 1970s, Soviet animation took an imaginative turn with *Good Name (1971)*, a whimsical short film by director Yevhen Syvokin that weaves a fable-like story around nature and identity. The plot follows a tiny ant burdened by an unusually long Latin name, a challenge that mirrors the film's deeper themes of belonging and resilience. When rainstorms threaten the forest, the ant's clever solution—a miniature shelter—becomes a metaphor for finding sanctuary amidst life's uncertainties. The animation's gentle tone and allegorical storytelling create an atmosphere of quiet enchantment, blending the charm of folklore with a touch of political undertones that later led to its censorship.
Though *Good Name (1971)* is now considered a lost film, its legacy endures in discussions about Soviet-era animation and censorship. The story's focus on the underdog resonates as a timeless tale, where even the smallest creatures carry weighty burdens—both literal and symbolic. Syvokin's direction imbues the narrative with warmth, making it a hidden gem worth rediscovering for fans of poetic, thought-provoking animation from a bygone era.