
Oh, No! 1987
"In apartment building no one can hear you scream!"
When a mother and grandmother leave two brothers home alone in their apartment, they expect nothing but a quiet evening—until a monstrous intruder materializes out of thin air.
Director: Srdjan Stojanovic
Cast

Frequently Asked Questions
What is Oh, No! (1987) about?
A monster crashes into a teenager's apartment while he and his younger brother are home alone, forcing them into a desperate fight for survival. The film blends horror and comedy as the siblings confront an otherworldly threat in their own home.
Who directed Oh, No!?
Srdjan Stojanovic directed Oh, No!, blending horror and comedy with a sharp, economical style.
Who stars in Oh, No!?
The film features Danijel Džino, Andrej Šabović, Gordana Stojanović, Kosara Ostojić, and Emir Muslić in key roles.
Is Oh, No! (1987) worth watching?
At just 9 minutes, Oh, No! is a cult curiosity that delivers more than its runtime suggests. Its horror-comedy balance and eerie premise make it a standout for genre fans, though its extreme brevity may leave some wanting more.
How long is Oh, No!?
Oh, No! runs for 9 minutes.
About Oh, No! (1987) — A 9-Minute Horror-Comedy Masterpiece of Claustrophobic Terror
When a mother and grandmother leave two brothers home alone in their apartment, they expect nothing but a quiet evening—until a monstrous intruder materializes out of thin air. Director Srdjan Stojanovic delivers a tight 9-minute horror-comedy hybrid that blends dread with dark humor, turning a seemingly safe space into a battleground. As the teenager and his younger sibling scramble for a way to survive,
Oh, No! (1987) plays on primal fears of isolation and helplessness, wrapped in a frenetic, genre-bending package. The film's claustrophobic setting amplifies the tension, while the dynamic between the brothers adds emotional stakes. With a mix of slapstick and suspense, Stojanovic crafts a micro-budget gem that proves you don't need a long runtime to leave a lasting impression—just the right balance of terror and absurdity.