From Columbus, Ohio to the Partially Buried Woodshed 1999
Tacita Dean's *From Columbus, Ohio to the Partially Buried Woodshed (1999)* is a hauntingly minimalist 9-minute documentary that traces the footsteps of an artistic pilgrimage.
Director: Tacita Dean
Cast
Frequently Asked Questions
What is *From Columbus, Ohio to the Partially Buried Woodshed* (1999) about?
This short documentary retraces the steps of Robert Smithson's 1970 sculpture, *Partially Buried Woodshed*, which was intentionally buried near Kent State University. The film documents a quiet, almost meditative quest to find traces of the artwork, only to end in an unexpected, ordinary setting.
Who directed *From Columbus, Ohio to the Partially Buried Woodshed*?
The film was directed by the acclaimed artist and filmmaker Tacita Dean, known for her work in experimental and documentary film.
Who stars in *From Columbus, Ohio to the Partially Buried Woodshed*?
The documentary features Tacita Dean herself, along with Maria Troy and Paul Hill as key participants in the journey.
Is *From Columbus, Ohio to the Partially Buried Woodshed* (1999) worth watching?
While it's a niche experimental documentary, its meditative pace and themes of art and memory make it compelling for fans of avant-garde cinema. Its brevity and unique perspective may appeal to those interested in conceptual art and its legacies.
How long is *From Columbus, Ohio to the Partially Buried Woodshed*?
The film runs for 9 minutes.
About From Columbus, Ohio to the Partially Buried Woodshed (1999) — A poetic search for buried art
Tacita Dean's *From Columbus, Ohio to the Partially Buried Woodshed (1999)* is a hauntingly minimalist 9-minute documentary that traces the footsteps of an artistic pilgrimage. The film follows a quiet, almost meditative search for the remnants of Robert Smithson's 1970 sculpture, *Partially Buried Woodshed*, which once lay buried beneath the earth at Kent State University. What begins as an evocative journey through landscapes and memory ultimately concludes in the unassuming, almost mundane setting of a parking lot—a subtle yet poignant reflection on the ephemeral nature of art and the passage of time.
With a contemplative tone and deliberate pacing, the documentary captures the quietude of a fading landmark. Tacita Dean's lens lingers on the traces of Smithson's work, weaving together themes of decay, legacy, and the elusive search for meaning. The film's stark simplicity invites viewers to ponder the intersections of history, art, and place, leaving a lingering impression long after the credits roll.