The Miracle of St. Anne 1950
Orson Welles' *The Miracle of St. Anne (1950)* blends dark humor with a surreal twist on biblical legend, turning a behind-the-scenes Bible epic into a comedic meditation on faith and celebrity.
Director: Orson Welles
Cast
Frequently Asked Questions
What is The Miracle of St. Anne (1950) about?
*The Miracle of St. Anne* peeks behind the curtain of a Bible film shoot, where a starlet playing Saint Anne seems to heal cripples with her mere presence. The 'miracle' becomes a running gag, mocking the pretenses of both cinema and faith.
Who directed The Miracle of St. Anne?
Orson Welles directed *The Miracle of St. Anne*, showcasing his knack for blending satire with unconventional storytelling.
Who stars in The Miracle of St. Anne?
The cast includes Suzanne Cloutier as the starlet saint, alongside Gaby André and Renée Cosima in key roles.
Is The Miracle of St. Anne (1950) worth watching?
As a Welles oddity, it's more of a footnote than a masterpiece—but its bizarre premise and meta-humor make it a fascinating watch for fans of offbeat cinema. Just don't expect a traditional comedy.
How long is The Miracle of St. Anne?
Runtime details are not listed.
About The Miracle of St. Anne (1950) — Orson Welles' Absurd Behind-the-Scenes Comedy
Orson Welles' *The Miracle of St. Anne (1950)* blends dark humor with a surreal twist on biblical legend, turning a behind-the-scenes Bible epic into a comedic meditation on faith and celebrity. The film stitches together raw footage of extras—many with disabilities—who miraculously recover after interacting with an actress portraying Saint Anne. Welles, known for his subversion of traditional storytelling, crafts a meta-narrative about the performative nature of miracles and the blurred line between art and exploitation. The atmosphere is playful yet unsettling, with a cast led by Suzanne Cloutier, whose presence as the starlet saint anchors the absurdity.
This obscure Welles project is less a polished feature and more a curiosity—a snapshot of mid-century filmmaking where ambition and irony collide. The comedy isn't slapstick; it's biting, teasing the audience with the illusion of divine intervention. While far from his most celebrated work, *The Miracle of St. Anne* offers a glimpse into Welles' playful side, where even a Bible epic can't escape the comedic eye of its creator.