About Berries 2005
David Firth's *About Berries* (2005) is a stark, five-minute animated short that plunges into the mind of a troubled man grappling with mental illness.
Director: David Firth
Cast
Frequently Asked Questions
What is *About Berries* (2005) about?
*About Berries* follows a mentally ill man as he navigates a life of isolation, regularly conversing with a crow from his rooftop. His pent-up frustration and violent impulses grow increasingly visible, blurring the line between reality and delusion in this chilling animated short.
Who directed *About Berries*?
David Firth directed *About Berries*. Known for his provocative animated works, Firth crafts visceral, thought-provoking pieces that challenge audiences.
Who stars in *About Berries*?
The film features David Firth as the sole performer, voicing the protagonist and bringing his psychological turmoil to life.
Is *About Berries* (2005) worth watching?
*About Berries* is a bold, atmospheric short that rewards viewers seeking unconventional storytelling. While its dark themes aren't for everyone, its concise runtime and unsettling depth make it a standout in Firth's filmography.
How long is *About Berries*?
The runtime is approximately 5 minutes, making it a quick yet impactful viewing experience.
About Berries (2005) — A Dark Animated Short Exploring Mental Illness
David Firth's *About Berries* (2005) is a stark, five-minute animated short that plunges into the mind of a troubled man grappling with mental illness. Set against a bleak urban backdrop, the film follows his isolated existence—perched on a rooftop, engaged in one-sided dialogues with a crow, while his simmering rage and violent fantasies bubble beneath the surface. Firth's signature dark humor and minimalist animation amplify the unease, creating a hauntingly atmospheric experience that lingers long after the credits roll.
Exploring themes of alienation, disassociation, and the fragility of the human psyche, *About Berries* isn't just a critique of societal neglect—it's a raw psychological portrait that dares to confront the unsettling consequences of untreated mental distress. With its unflinching honesty and eerie visuals, the short stands as a microcosm of Firth's larger body of work, which often blends horror, absurdity, and social commentary into something unforgettable.