Give a Man a Job Poster

Give a Man a Job 1933

★ 2.01 votes3 min📅 1933-01-31

From the depths of the Great Depression emerges a fleeting but powerful glimpse into New Deal optimism with *Give a Man a Job (1933)*.

Cast

Jimmy Durante
Jimmy Durante
Moe Howard
Moe Howard

Frequently Asked Questions

What is *Give a Man a Job* (1933) about?

This brief comedy short urges employers to hire unemployed workers during the Great Depression, using humor and a direct appeal to economic recovery.

Who directed *Give a Man a Job*?

Director information is not available.

Who stars in *Give a Man a Job*?

The film features Jimmy Durante and Moe Howard in the lead roles, with their signature comedic styles on full display.

Is *Give a Man a Job* (1933) worth watching?

Though only three minutes long and unrated, this obscure short offers a fascinating glimpse into New Deal-era satire and early comedy. Fans of classic slapstick or Depression-era history may find it a curious, if fleeting, curiosity worth a quick watch.

How long is *Give a Man a Job*?

The runtime is three minutes.

About Give a Man a Job (1933) — Three-Minute Comedy Short with Jimmy Durante & Moe Howard

From the depths of the Great Depression emerges a fleeting but powerful glimpse into New Deal optimism with *Give a Man a Job (1933)*. This lightning-fast comedy short, directed by an unnamed filmmaker, joins forces with the National Recovery Administration to deliver a blunt, three-minute appeal to business owners: 'Hire now, prosper later.' Through rapid-fire gags and the irrepressible energy of Jimmy Durante, the film transforms a sober economic message into a lighthearted call for solidarity. The brash charm of Durante is met by the deadpan timing of Moe Howard, creating a brief but memorable slice of 1930s Americana that still resonates today.

Shot in black-and-white with brisk pacing, *Give a Man a Job* blends sharp social commentary with the anarchic spirit of early slapstick comedy. It captures the era's urgency and humor in one reel, offering viewers a snapshot of how entertainment once doubled as civic persuasion. Though short, its message lingers—reminding us that behind every job title, there's a human story waiting to be rewritten.