When the Room Listens 2026
"Madness waits in the wings."
In *When the Room Listens (2026)*, ambitious actress Ngozi steps into the spotlight, landing a dream theater role under the watchful eye of the enigmatic director Mr. Potter.
Director: Kavon Burley
Cast
Frequently Asked Questions
What is *When the Room Listens* (2026) about?
*When the Room Listens* follows Ngozi, a rising actress whose theater role unlocks a descent into psychological horror. As she rehearses under a mysterious director, hallucinations and rituals consume her, blurring the boundary between ambition and madness.
Who directed *When the Room Listens*?
*When the Room Listens* is directed by Kavon Burley, whose vision crafts a tense, atmospheric horror short.
Who stars in *When the Room Listens*?
The film stars Faith McCollough as Ngozi, with Tiffany Sorto, Thomas Gonzales, Adam Zennia, and Medhanit Desta rounding out the cast.
Is *When the Room Listens* (2026) worth watching?
As a 15-minute horror short, *When the Room Listens* offers a tight, unsettling experience with strong performances. While unrated on IMDb, its themes of psychological horror and ambition make it a compelling watch for genre fans.
How long is *When the Room Listens*?
*When the Room Listens* has a runtime of 15 minutes.
About When the Room Listens (2026) — A 15-Minute Horror on Artistic Madness
In *When the Room Listens (2026)*, ambitious actress Ngozi steps into the spotlight, landing a dream theater role under the watchful eye of the enigmatic director Mr. Potter. But as rehearsals intensify, so do the hallucinations—obsessive rituals, the specter of Zoe, and a creeping sense that reality is unraveling. Kavon Burley crafts a chilling short horror that blurs the line between artistic passion and psychological torment, trapping Ngozi in a nightmare where the stage itself seems alive.
With its claustrophobic atmosphere and themes of ambition spiraling into madness, this 15-minute horror film delivers a visceral punch. Faith McCollough leads the cast with haunting intensity, supported by Tiffany Sorto and Thomas Gonzales, as the line between performance and possession collapses.