Looking for October 2004
Step into the heart of Belgrade with *Looking for October (2004)*, a compelling documentary by director Dushan Gligorov that captures the pulse of a city caught between its past and present.
Director: Dushan Gligorov
Frequently Asked Questions
What is Looking for October (2004) about?
*Looking for October* dives into the soul of Belgrade, examining how the city's liberation history influences its modern identity. The film follows the post-Tito generation as they reflect on their city's 60-year journey, questioning who truly drives change today and what freedom means now.
Who directed Looking for October?
The film was directed by Dushan Gligorov, a filmmaker who excels at blending personal narratives with broader societal themes.
Who stars in Looking for October?
Cast details for *Looking for October* are not listed, but the documentary features candid interviews with Belgraders reflecting on their city's evolution.
Is Looking for October (2004) worth watching?
As a 48-minute documentary, *Looking for October* offers a concise yet thought-provoking look at Belgrade's shifting identity. While it hasn't been rated on IMDb, its themes of history, freedom, and urban change make it compelling for fans of introspective filmmaking.
How long is Looking for October?
The runtime for *Looking for October* is 48 minutes.
About Looking for October (2004) — A Belgrade documentary on freedom's legacy and change
Step into the heart of Belgrade with *Looking for October (2004)*, a compelling documentary by director Dushan Gligorov that captures the pulse of a city caught between its past and present. Through intimate interviews and vivid urban snapshots, the film explores how liberating a city shapes its identity—and what those ideals mean decades later. The post-Tito generation reflects on Belgrade's evolution over 60 years, questioning who truly holds the power in today's Serbia: the new conquerors or the voices of change? With a runtime of just 48 minutes, this documentary offers a razor-sharp look at identity, memory, and the ever-shifting narratives of a city in transition.
Gligorov's lens turns to the streets and the people who call Belgrade home, blending personal stories with broader themes of liberation and renewal. The film's moody yet introspective atmosphere lingers, leaving viewers to ponder what it truly means to live in a place where history is both a burden and a beacon. *Looking for October (2004)* isn't just a film; it's an invitation to see a city—and its people—through fresh eyes.