Men Are Like That 1930
"He's the guy who's always right- He's the "I" of every conversation. Well, "MEN ARE LIKE THAT.""
Dive into the razor-sharp wit of *Men Are Like That (1930)*, Frank Tuttle's razor-edged comedy-drama that skewers the self-important man who dominates every conversation.
Director: Frank Tuttle
Cast
Frequently Asked Questions
What is Men Are Like That (1930) about?
This 61-minute comedy-drama follows a loud, opinionated man whose inability to stop talking alienates everyone around him—save for his perpetually patient wife. His relentless self-assurance turns domestic life into a battleground of wit and frustration.
Who directed Men Are Like That?
Frank Tuttle directed *Men Are Like That (1930)*, bringing a sharp comedic eye to his storytelling in this pre-Code classic.
Who stars in Men Are Like That?
The film stars Hal Skelly as the boisterous lead, Doris Hill as his long-suffering wife, and features Clara Blandick, Charles Sellon, and Helene Chadwick in pivotal supporting roles.
Is Men Are Like That (1930) worth watching?
For fans of early sound films and witty social satire, *Men Are Like That* delivers a brisk, enjoyable ride with sharp dialogue and timeless themes about ego and relationships. Its concise runtime and charming cast make it a hidden gem of the era.
How long is Men Are Like That?
Men Are Like That (1930) runs for 61 minutes, a perfect length for a punchy, dialogue-driven story.
About Men Are Like That (1930) — A classic comedy-drama about ego, marriage, and the art of hearing yourself speak
Dive into the razor-sharp wit of *Men Are Like That (1930)*, Frank Tuttle's razor-edged comedy-drama that skewers the self-important man who dominates every conversation. Hal Skelly stars as the boisterous blowhard whose inability to listen turns him into a walking disaster, leaving only his long-suffering wife (Doris Hill) as his audience. With a runtime of just 61 minutes, this snappy pre-Code gem blends biting humor with poignant realism, painting a world where ego reigns supreme—and close relationships pay the price. The film's brisk pacing and sly observations capture the absurdity of male bravado, all wrapped in the playful yet biting tone of early talkies.
Clara Blandick, Charles Sellon, and Helene Chadwick join the cast as the frustrated faces around our protagonist, each reacting to his relentless self-assurance with a mix of exasperation and dark amusement. *Men Are Like That (1930)* isn't just a relic of its time—it's a timeless critique of narcissism that still feels razor-sharp today, offering both laughs and a wry mirror to human folly.