
At This Late Date, the Charleston 1981
Directed by the sharp-witted Kihachi Okamoto, *At This Late Date, the Charleston (1981)* is a biting Japanese comedy that dives into the absurdity of bureaucracy and mistaken identity.
Director: Kihachi Okamoto
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Frequently Asked Questions
What is At This Late Date, the Charleston (1981) about?
The film follows a young man who finds himself wrongfully detained after a bizarre mix-up. Inside the facility, he crosses paths with several other imposters, each entangled in their own surreal and comedic situations. What unfolds is a sharp, satirical look at authority, identity, and the absurdity of bureaucracy.
Who directed At This Late Date, the Charleston?
The movie was helmed by Kihachi Okamoto, a renowned Japanese director known for his versatile storytelling and sharp social commentary in films like *The Sword of Doom* and *Kill!*.
Who stars in At This Late Date, the Charleston?
The film features a talented ensemble cast including Go Riju, Yū Fujiki, Ichirō Zaitsu, Hirotaro Honda, and Eitarō Ozawa, each bringing their unique energy to the comedic chaos.
Is At This Late Date, the Charleston (1981) worth watching?
While not widely rated, *At This Late Date, the Charleston* is a hidden gem for fans of 1980s Japanese comedy. Its blend of satire, sharp humor, and thematic depth makes it a worthwhile watch, especially for those who appreciate films that balance laughter with social critique.
How long is At This Late Date, the Charleston?
The film runs for 116 minutes, offering a tight yet engaging runtime that keeps the story moving at a brisk pace.
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At This Late Date, the Charleston (1981): A Comedy of Mistaken Identities — Full Movie Info
Directed by the sharp-witted Kihachi Okamoto, *At This Late Date, the Charleston (1981)* is a biting Japanese comedy that dives into the absurdity of bureaucracy and mistaken identity. The film follows a young man caught in the surreal whirlwind of a detention facility after a misunderstanding spirals into chaos. Once inside, he discovers he's not the only impostor—several others share his predicament, each tangled in their own ridiculous encounters with authority. With a tone that oscillates between dark humor and social satire, Okamoto crafts a story that's as thought-provoking as it is entertaining, using laughter to mask deeper critiques of power and perception.
Set against the backdrop of a rigid system, the movie blends sharp dialogue with visual flair, making it a standout in 1980s Japanese cinema. The ensemble cast, led by Go Riju and Yū Fujiki, delivers performances that oscillate between farce and melancholy, grounding the film's more outlandish moments in a sense of humanity. Whether you're drawn to its comedic timing or its undercurrents of social commentary, *At This Late Date, the Charleston* offers a unique viewing experience that lingers long after the credits roll.