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Punch Drunk 2008

3 min📅 2008-05-05

In *Punch Drunk (2008)*, directed by Ben Watts, two former army veterans redefine the concept of odd jobs by turning their faces into a lucrative venture.

Director: Ben Watts

Cast

Will Winner
Flint
Jonathan Schwartz
Jonathan Schwartz
Webber

Frequently Asked Questions

What is Punch Drunk (2008) about?

*Punch Drunk* follows two ex-army buddies who embark on a road trip with an unusual business model: charging strangers ten dollars to punch them in the face. Their journey blends absurdist humor with a poignant look at post-service struggles, where dignity takes a backseat to ingenuity.

Who directed Punch Drunk?

Director Ben Watts brings a sharp eye for unconventional storytelling to this quirky short.

Who stars in Punch Drunk?

The film stars Will Winner and Jonathan Schwartz as the enterprising veterans at the heart of the story.

Is Punch Drunk (2008) worth watching?

With its offbeat premise and tight runtime, *Punch Drunk* is a quick, memorable watch that lingers long after the credits roll. While it's not a mainstream hit, its dark humor and originality make it a standout for fans of indie shorts and unconventional cinema.

How long is Punch Drunk?

The runtime of *Punch Drunk* is approximately 3 minutes.

About Punch Drunk (2008) — Two vets turn their faces into a paycheck in this darkly comic short

In *Punch Drunk (2008)*, directed by Ben Watts, two former army veterans redefine the concept of odd jobs by turning their faces into a lucrative venture. Traveling the country in a beat-up car, Flint and Webber offer anyone willing to pay—just ten dollars—the chance to unleash their frustrations in a satisfying punch. What starts as a bizarre scheme soon becomes a quirky commentary on desperation, resilience, and the lengths people go to make ends meet after service.

With its minimal runtime and sharp focus, the short film captures a uniquely darkly comedic tone, blending absurdity with a touch of melancholy. Shot on the road, the story unfolds against a backdrop of diners, motels, and open highways, evoking a sense of aimless wanderlust. The film's themes resonate beyond its three-minute runtime, leaving viewers to ponder the line between survival and surrender.