Il court, il court, le monde 1987
A frenetic 10-minute Belgian short comedy from 1987, *Il court, il court, le monde* directed by the early-career Jean-Pierre Dardenne, plunges us into the chaotic world of television production on a collision course with chaos.
Director: Jean-Pierre Dardenne
Cast
Frequently Asked Questions
What is Il court, il court, le monde (1987) about?
This fast-paced Belgian short follows John, a television director, as he rushes to complete a speed-themed show, only to find his personal life and road rage spiraling out of control. A phone call, a reckless driver, and a sudden crash reveal the thin line between professional pressure and personal meltdown.
Who directed Il court, il court, le monde?
Jean-Pierre Dardenne directed this early 1987 short film before his international acclaim with feature-length works like *Rosetta* and *The Child*.
Who stars in Il court, il court, le monde?
The short stars Jean-Paul Dermont as John, with supporting performances from John Dobrynine, François Duisinx, André Lenaerts, and Christian Maillet in key roles.
Is Il court, il court, le monde (1987) worth watching?
While unrated on IMDb, this compact gem offers a sharp snapshot of 1980s Belgian cinema and early Dardenne style—ideal for fans of comedic tension and urban frenzy. Its 10-minute runtime makes it a quick but memorable watch.
How long is Il court, il court, le monde?
The film runs for 10 minutes.
About Il court, il court, le monde (1987) — A 10-minute sprint through TV chaos and reckless decisions
A frenetic 10-minute Belgian short comedy from 1987, *Il court, il court, le monde* directed by the early-career Jean-Pierre Dardenne, plunges us into the chaotic world of television production on a collision course with chaos.
John, a harried TV director racing to finish a speed-themed broadcast, finds his focus shattered by a heated phone exchange with his girlfriend Sophie. When he speeds through the city to cool off, a reckless driving encounter escalates into a shouting match. The tension builds with every passing second as the pressure of deadlines and personal stress collide. Back at his apartment, the echo of another crash—perhaps imagined, perhaps real—leaves both John and the audience breathless, questioning what was lost in the rush. The film captures the absurdity of modern life through sharp timing, minimal dialogue, and an unrelenting pulse of urgency.