Blood of Havana 2010
Harmony Korine's *Blood of Havana* (2010) is a surreal, black-comedy documentary that traps viewers in a disorienting 3-minute loop through Havana's sun-baked streets.
Director: Harmony Korine
Cast
Frequently Asked Questions
What is Blood of Havana (2010) about?
The film follows a bizarre, prophetic figure wandering Havana's streets, delivering a darkly comedic and nonsensical manifesto about communism's downfall. Harlan Korine's handheld camerawork and a repetitive soundtrack create an unsettling, dreamlike atmosphere as the protagonist's rant collides with the city's everyday chaos.
Who directed Blood of Havana?
Harmony Korine, the acclaimed filmmaker behind *Kids* and *Spring Breakers*, directed *Blood of Havana* in 2010.
Who stars in Blood of Havana?
The film stars Charles-Marie Anthonioz as the enigmatic, monstrous protagonist, with additional appearances by uncredited locals encountered in Havana.
Is Blood of Havana (2010) worth watching?
At just 3 minutes, *Blood of Havana* is more of a cinematic curiosity than a must-see, but its surreal charm and Korine's signature edge make it a cult favorite. Fans of experimental shorts or provocative satire will find it intriguing, even if its brevity limits its impact for casual viewers.
How long is Blood of Havana?
The film runs for 3 minutes.
About Blood of Havana (2010) — Korine's surreal 3-minute satire of Havana's political underbelly
Harmony Korine's *Blood of Havana* (2010) is a surreal, black-comedy documentary that traps viewers in a disorienting 3-minute loop through Havana's sun-baked streets. Shot on a lo-fi Digital Harinezumi camera, the film follows a grotesque yet oddly poetic figure as he roams the city, delivering a rambling, satirical prophecy about communism's collapse and an impending revolution. The minimalist soundtrack—repetitive and hypnotic—amplifies the absurdity, blending dark humor with an undercurrent of unease. Korine, known for his provocative visual style, crafts a micro-narrative that feels like a fever dream, where reality bends under the weight of exaggerated performances and deadpan satire.
A fleeting but unforgettable experiment in guerrilla filmmaking, *Blood of Havana* revels in its own artificiality, using low-fi aesthetics to critique political systems with a wink. The unnamed protagonist's monologue, equal parts hilarious and unsettling, mirrors the tension between Cuba's revolutionary past and its uncertain future. It's a film that lingers like a half-remembered joke—strange, confrontational, and impossible to categorize.