Prelude 2008
Prelude (2008), a 12-minute short film directed by Oscar Velasquez, weaves together the seemingly separate lives of high school students in the tense days leading up to a campus shooting.
Director: Oscar Velasquez
Cast
Frequently Asked Questions
What is Prelude (2008) about?
Prelude (2008) unfolds in the days before a high school shooting, tracing how ordinary interactions between students unexpectedly collide. The film explores how minor actions can set off a chain of events with life-altering outcomes.
Who directed Prelude?
Prelude was directed by Oscar Velasquez, crafting a tightly woven narrative that balances realism with emotional depth.
Who stars in Prelude?
The film features Ivan Padilla, Dominique Concepcion, Jo-Ann Pantoja, and Fatim Hana in its central ensemble cast.
Is Prelude (2008) worth watching?
Though unrated on IMDb, Prelude (2008) offers a thought-provoking, character-driven take on a heavy subject. Its short runtime and focus on real human connections make it a compelling watch for fans of gritty, atmospheric storytelling.
How long is Prelude?
The film runs for 12 minutes.
About Prelude (2008) — A short film about choices, consequences, and the threads that bind us
Prelude (2008), a 12-minute short film directed by Oscar Velasquez, weaves together the seemingly separate lives of high school students in the tense days leading up to a campus shooting. Through a series of intimate moments and chance encounters, the story reveals how small, everyday decisions can ripple outward, shaping destinies in ways no one could have predicted. With a mood that oscillates between quiet tension and raw emotional honesty, the film explores themes of connection, consequence, and the fragility of human relationships under pressure.
Shot in a raw, vérité style, Prelude (2008) avoids sensationalism, instead focusing on the human stories behind the headlines. The ensemble cast, led by Ivan Padilla and Dominique Concepcion, delivers performances that feel both authentic and unsettling, grounding the narrative in the kind of emotional realism that lingers long after the credits roll.