So Near, Yet So Far 1912
Directed by pioneering silent-era filmmaker D.W. Griffith, *So Near, Yet So Far* (1912) is a delicate romance-drama that explores the delicate dance of love and fate.
Director: D.W. Griffith
Cast
Walter Miller
Howard, the Boy
Mary Pickford
The Young Woman
Robert Harron
The Rival / In Club
Lionel Barrymore
In Club
Christy Cabanne
In Club / On Street
Harry Carey
A Thief
Dorothy Gish
A Friend
Lillian Gish
A Friend
Claire McDowell
Rich Woman in Other Town
Antonio Moreno
In Club
Frequently Asked Questions
What is So Near, Yet So Far (1912) about?
This 1912 silent romance-drama centers on a shy young man who falls instantly in love with a woman, only to face obstacles from his own hesitation and competing suitors. Their paths cross at a mutual friend's home, but outside, danger looms in the form of lurking robbers.
Who directed So Near, Yet So Far?
The film was directed by D.W. Griffith, a titan of early American cinema known for his innovative storytelling and influential techniques.
Who stars in So Near, Yet So Far?
The cast features Walter Miller, Mary Pickford, Robert Harron, Lionel Barrymore, and Harry Carey in key roles.
Is So Near, Yet So Far (1912) worth watching?
As a silent-era romance with suspense elements, *So Near, Yet So Far* offers a glimpse into early filmmaking craftsmanship. While modern audiences may find its pacing slow, it's a fascinating watch for silent film enthusiasts and fans of Griffith's work.
How long is So Near, Yet So Far?
The film has a runtime of 15 minutes, making it a concise but impactful viewing experience.
🎥 Trailer
About So Near, Yet So Far (1912) — A D.W. Griffith Romance with a Twist of Danger
Directed by pioneering silent-era filmmaker D.W. Griffith, *So Near, Yet So Far* (1912) is a delicate romance-drama that explores the delicate dance of love and fate. The story follows a shy young man whose immediate infatuation with a woman is thwarted by his own timidity and the unwelcome advances of rival suitors. Their paths cross unexpectedly when both find themselves staying under the same roof, unaware of each other's presence—only to discover they're not as alone as they thought, as danger lurks in the shadows outside. With Griffith's signature blend of emotional intensity and suspense, the film captures the tension between desire and uncertainty in a world where love and peril often walk hand-in-hand.
Set against the backdrop of a quiet, genteel household, the short drama unfolds with quiet urgency, blending tender romance with the thrill of a looming threat. The film's themes of unspoken feelings, missed connections, and the fragility of human bonds are heightened by the stark black-and-white cinematography and Griffith's knack for building atmosphere. *So Near, Yet So Far* (1912) is a snapshot of early cinema's power to evoke deep emotion in just 15 minutes, proving that sometimes the most profound stories are those told with restraint and heart.
