Targets 1968
"TARGETS are people...and you could be one of them!"
Peter Bogdanovich's *Targets (1968)* weaves a chilling narrative that merges the fading stardom of a horror icon with the unsettling rise of a modern-day killer.
Director: Peter Bogdanovich
Cast
Tim O'Kelly
Bobby Thompson
Boris Karloff
Byron Orlok
Arthur Peterson
Ed Loughlin
Monte Landis
Marshall Smith
Nancy Hsueh
Jenny
Peter Bogdanovich
Sammy Michaels
Daniel Ades
Chauffeur
Stafford Morgan
Salesman - 1st Gunshop
James Brown
Robert Thompson Sr.
Mary Jackson
Charlotte Thompson
Frequently Asked Questions
What is Targets (1968) about?
*Targets* follows an aging horror actor whose career is fading just as a seemingly normal young man embarks on a random shooting spree across Los Angeles. Their paths collide in a tense narrative that blurs the lines between fiction and reality, culminating in a finale that's as unsettling as it is thought-provoking.
Who directed Targets?
The film was directed by Peter Bogdanovich, a rising talent in the late 1960s whose keen eye for cinema would later define his career.
Who stars in Targets?
The cast features horror legend Boris Karloff alongside Tim O'Kelly, Arthur Peterson, Monte Landis, and Nancy Hsueh, with Peter Bogdanovich in a cameo.
Is Targets (1968) worth watching?
*Targets* is a gripping thriller with a runtime of just 90 minutes, offering a sharp critique of society's fears and obsessions. While it lacks an official IMDb rating, its cult status and cultural impact make it a must-see for fans of vintage thrillers and psychological horror.
How long is Targets?
The film has a runtime of 90 minutes.
🎥 Trailer
About Targets (1968) — A Chilling Blend of Horror and Real-Life Dread
Peter Bogdanovich's *Targets (1968)* weaves a chilling narrative that merges the fading stardom of a horror icon with the unsettling rise of a modern-day killer. As veteran horror legend Boris Karloff portrays a retired actor struggling with relevance, Tim O'Kelly steals the screen as a disarmingly ordinary young man whose descent into violent chaos unfolds across Los Angeles. The film's eerie atmosphere lingers in every frame, blending the eerie glow of drive-in theaters with the stark realism of a shooting spree that feels eerily prescient.
Bogdanovich crafts a masterful thriller that critiques the shifting sands of fame while exposing the fragility of public safety. The collision between Karloff's iconic past and O'Kelly's chilling detachment creates a haunting commentary on the erosion of trust in an era of escalating violence. With taut pacing and a disorienting sense of dread, *Targets* remains a riveting exploration of fear, celebrity, and the unpredictability of human nature.
