I'll Name the Murderer 1936
"NEWSPAPER MAN PUTS THE FINGER ON KILLER!"
Crank up the satire and dial down the fear in *I'll Name the Murderer* (1936), a razor-sharp comedy-thriller that sees a cheeky tabloid scribe turn his gossip column into a real-life murder trap. Directed by Raymond K.
Director: Raymond K. Johnson
Cast
Frequently Asked Questions
What is I'll Name the Murderer (1936) about?
A brash newspaper columnist turns his gossip empire into a weapon, using bold bluffs to flush out a real-life murderer lurking in the shadows. His weapon? Words, not guns—a risky strategy that turns a gritty crime hunt into a sparkling comedy of errors.
Who directed I'll Name the Murderer?
The film was helmed by Raymond K. Johnson, a lesser-known but skilled filmmaker who specialized in crisp, engaging narratives.
Who stars in I'll Name the Murderer?
The lead roles are shared by Ralph Forbes, Marion Shilling, and Malcolm McGregor, supported by scene-stealers James Guilfoyle and John Cowell.
Is I'll Name the Murderer (1936) worth watching?
While it hasn't been rated on IMDb, its breezy blend of crime, comedy, and sharp dialogue makes it a hidden gem for fans of pre-Code cinema. If you love witty banter that outpaces the body count, this 66-minute romp delivers laughs over scares.
How long is I'll Name the Murderer?
The film runs for 66 minutes, giving you a punchy, plot-packed experience perfect for a single sitting.
About I'll Name the Murderer (1936) — Tabloid Wit Meets Whodunit in Classic Comedy Crime
Crank up the satire and dial down the fear in *I'll Name the Murderer* (1936), a razor-sharp comedy-thriller that sees a cheeky tabloid scribe turn his gossip column into a real-life murder trap. Directed by Raymond K. Johnson, this 66-minute gem trades blood-curdling suspense for witty repartee as Tommy Tilton, a columnist who's never met a rumor he couldn't polish into print, decides to smoke out a killer by broadcasting half-truths and red herrings like confetti. With the city's press corps on the scent and the police baffled, Tilton's relentless bluffing transforms a deadly cat-and-mouse game into a fast-talking romp where no alibi is safe and every headline could be the last.
Tucked between the laughs and lighthearted chases is a playful commentary on the power—and peril—of public opinion, wrapped in the glossy sheen of 1930s Hollywood. Johnson's snappy direction keeps the energy brisk, while the ensemble cast brings sly charm and feigned innocence to every scene.