Es pecado... pero me gusta 1978
In Juan Bosch's 1978 Spanish comedy classic *Es pecado... pero me gusta*, a slick businessman hires a quick-witted escort to pose as his wife for a weekend at a secluded country estate.
Director: Juan Bosch
Cast
Frequently Asked Questions
What is *Es pecado... pero me gusta* (1978) about?
The film follows a scheming businessman who hires a prostitute to impersonate his wife at a weekend retreat, hoping to sway a government official into approving his shady pharmaceutical venture. What unfolds is a chain of deceptions, misunderstandings, and uproarious misadventures.
Who directed *Es pecado... pero me gusta*?
The film was directed by Juan Bosch, a Spanish filmmaker known for his work in comedy and lighthearted narratives.
Who stars in *Es pecado... pero me gusta*?
The film features Carmen Villani, Carlo Giuffré, Esperanza Roy, Aldo Maccione, and Simón Andreu in key roles.
Is *Es pecado... pero me gusta* (1978) worth watching?
For fans of lighthearted 1970s comedies with a dash of satire, this film delivers charm and laughs. While it may not be a cinematic masterpiece, its playful tone and engaging cast make it a fun, nostalgic watch if you're in the mood for a breezy farce.
How long is *Es pecado... pero me gusta*?
The movie runs for 83 minutes.
About Es pecado... pero me gusta (1978) — A 1970s Spanish comedy of greed, glamour, and deception
In Juan Bosch's 1978 Spanish comedy classic *Es pecado... pero me gusta*, a slick businessman hires a quick-witted escort to pose as his wife for a weekend at a secluded country estate. The plan is to charm a high-ranking health ministry official into approving a dubious new drug—one that just happens to share the same owner. Beneath the farce lies a sharp satire of ambition, social climbing, and the absurd lengths people go to maintain appearances.
The film crackles with playful energy, thanks to Bosch's nimble direction and a cast that dives headfirst into the deception with infectious charm. From the fast-talking lead to the glamorous femme fatale and the bumbling bureaucrat, every character feels like they've stepped straight out of a 1970s European caper. The result is a breezy, comedic romp that balances cheeky humor with biting social commentary, wrapped in the glossy sheen of classic Mediterranean storytelling.