Marisa 1957
Set in the sun-drenched port town of Civitavecchia, Mauro Bolognini's charming 1957 comedy-drama follows the spirited orphan Marisa, a 17-year-old who calls the local train station her home.
Director: Mauro Bolognini
Cast
Frequently Asked Questions
What is Marisa (1957) about?
Marisa (1957) is a gentle comedy-drama about a 17-year-old orphan who works at a train station buffet in Civitavecchia, dreaming of love and adventure. When a young sailor arrives for a brief stop, their chance meeting sets off a tender dance between hope and reality.
Who directed Marisa?
Marisa was directed by Mauro Bolognini, a celebrated Italian filmmaker known for blending neorealist sensitivity with playful, character-driven narratives.
Who stars in Marisa?
The heart of Marisa (1957) beats through Marisa Allasio, Renato Salvatori, Francisco Rabal, Luz Márquez, and Ángel Aranda, whose performances bring the station's stories to life.
Is Marisa (1957) worth watching?
Though light on IMDb data, its breezy charm and Allasio's luminous presence make it a pleasant rediscovery for fans of Italian post-war cinema and coming-of-age tales. Its nostalgic tone and sunlit setting offer a cozy, if understated, escape.
How long is Marisa?
Marisa (1957) runs for 86 minutes, a perfect pocket-sized adventure to enjoy during a lazy afternoon.
About Marisa (1957) — A Sunlit Coming-of-Age Romance at an Italian Train Station
Set in the sun-drenched port town of Civitavecchia, Mauro Bolognini's charming 1957 comedy-drama follows the spirited orphan Marisa, a 17-year-old who calls the local train station her home. Working behind the counter of the station buffet, she sells ice cream to travelers while spinning stories of love and adventure for wide-eyed passengers. Her quick wit and natural beauty draw admirers, but beneath her carefree charm lies a quiet longing that only intensifies when a dashing young sailor, Angelo, steps into her life. As their fleeting encounter sparks a dance of curiosity and hesitation, Marisa must navigate the bittersweet gap between fleeting fantasy and the grounded realities of her world. Bolognini crafts a gentle, sun-soaked coming-of-age tale where the rhythm of trains mirrors the heartbeat of youthful romance.
Marisa (1957) blends Italian neorealist warmth with the sunny irreverence of post-war cinema, painting a portrait of adolescent dreams against the backdrop of daily labor and chance encounters. Allasio's radiant performance captures a girl on the brink of self-discovery, her every glance a question mark in a world that feels both vast and small. The film's breezy pacing and affectionate tone invite viewers to linger in Civitavecchia's golden haze, where every platform and passenger tells a story worth remembering.