

Marry the Girl 1937
"LOOK OUT BELOW! WE'RE LETTING 'EM GO! The Bughouse Wouldn't Keep 'Em...So We Put 'Em In This Show!"
In William C. McGann's frenetic 1937 screwball comedy *Marry the Girl*, a timid personal assistant suddenly finds himself thrust into the chaotic role of managing editor at a newspaper features syndicate. The catch?
Director: William C. McGann
Cast










Frequently Asked Questions
What is Marry the Girl (1937) about?
This zany screwball comedy follows a meek personal assistant who is unexpectedly promoted to managing editor of a newspaper features syndicate. The twist? The entire team is made up of the quirkiest, most unpredictable characters imaginable. Expect nonstop laughs as he tries to keep up with the madness.
Who directed Marry the Girl?
William C. McGann directed this hilarious 1937 romp, known for his knack for fast-paced comedies that defined early Hollywood humor.
Who stars in Marry the Girl?
The film features Frank McHugh as the lead, supported by Hugh Herbert, Mary Boland, Mischa Auer, and Alan Mowbray in scene-stealing roles.
Is Marry the Girl (1937) worth watching?
If you love classic screwball comedies packed with eccentric characters and rapid-fire gags, *Marry the Girl* is a delightful pick. Its 68-minute runtime ensures a quick yet satisfying dose of old-Hollywood charm, making it ideal for fans of lighthearted romance and comedy.
How long is Marry the Girl?
Marry the Girl runs for 68 minutes, perfect for a bite-sized classic comedy fix.
About Marry the Girl (1937) — A Screwball Comedy Classic with Frank McHugh
In William C. McGann's frenetic 1937 screwball comedy *Marry the Girl*, a timid personal assistant suddenly finds himself thrust into the chaotic role of managing editor at a newspaper features syndicate. The catch? The entire operation is staffed by the most eccentric, larger-than-life personalities imaginable—think writers who could rival any classic mad scientist's lab assistants. Frank McHugh shines as the underdog hero, navigating a world where sanity is optional and promotion means constant mayhem.
The film blends romance and comedy into a whirlwind of mistaken identities, rapid-fire gags, and over-the-top antics, all set against a backdrop of 1930s publishing hustle. With its zany atmosphere and sharp wit, *Marry the Girl (1937)* delivers a delightful escape into the golden age of Hollywood comedies, where every scene promises another laugh—and just maybe love.




