Selling Shorts 1931
In the third installment of the *Traveling Man* series, this 1931 comedy short follows a wandering duo in desperate need of a taste of moonshine to lift their spirits.
Director: Harry Edwards
Cast
Frequently Asked Questions
What is Selling Shorts (1931) about?
*Selling Shorts* follows two travelers in the early days of Prohibition who stop at nothing to get their hands on a bottle of moonshine. Their quest spirals into a series of comedic misadventures, blending rural humor with classic slapstick. The 17-minute short packs laughs into every reel.
Who directed Selling Shorts?
Harry Edwards directed *Selling Shorts*, a comedy short that's part of the *Traveling Man* series.
Who stars in Selling Shorts?
The film features Louis John Bartels and Margaret Breen as the main travelers, with standout comedic performances from Victor Potel and Virginia Sale.
Is Selling Shorts (1931) worth watching?
As a classic two-reel comedy short, *Selling Shorts* offers a fun glimpse into early 1930s filmmaking. While it won't win awards by today's standards, its charm lies in its simplicity and humor. Fans of vintage slapstick will likely find it entertaining.
How long is Selling Shorts?
*Selling Shorts* runs for 17 minutes.
About Selling Shorts (1931) — A Classic Comedy Short About Chasing Moonshine Madness
In the third installment of the *Traveling Man* series, this 1931 comedy short follows a wandering duo in desperate need of a taste of moonshine to lift their spirits. Directed by Harry Edwards and packed with slapstick energy, *Selling Shorts* blends rural humor with the chaos of a prohibition-era chase for the good stuff. Louis John Bartels and Margaret Breen lead the cast as the bumbling travelers, while Victor Potel and Virginia Sale add their signature comedic flair.
The film thrives on fast-paced gags and farcical mishaps, painting a lighthearted picture of desperation and wit. With its 17-minute runtime, *Selling Shorts (1931)* delivers a punchy, old-school comedy experience that captures the essence of early 1930s filmmaking—simple pleasures, big laughs, and a whole lot of charm.