Watercolor 1958
Otar Iosseliani's *Watercolor (1958)* is a playful and deceptively simple short film that blends comedy and drama into a single, memorable act. The story follows a man caught in a whirlwind of domestic routine, desperate for a moment of escape from his wife's watchful eye.
Director: Otar Iosseliani
Cast
Frequently Asked Questions
What is Watercolor (1958) about?
A man tries to slip away from his wife to visit an art exhibition, only to find himself staring at a painting of his own house. The short film captures his fleeting moment of escape and the quiet irony hidden in plain sight.
Who directed Watercolor?
The film was directed by Otar Iosseliani, a master of blending absurdist humor with social commentary in his cinema.
Who stars in Watercolor?
The film features Sofiko Chiaureli, Gennadi Krashennikov, Vladimir Lebedev, and Otar Iosseliani himself in the cast.
Is Watercolor (1958) worth watching?
Despite its brevity, *Watercolor* offers a sharp, witty exploration of domestic life and artistic perception. While it lacks an IMDb rating, its uniqueness and Iosseliani's signature style make it a rewarding watch for fans of short films and classic cinema.
How long is Watercolor?
The film runs for 10 minutes.
About Watercolor (1958) — A 10-minute gem of wit and longing from Otar Iosseliani
Otar Iosseliani's *Watercolor (1958)* is a playful and deceptively simple short film that blends comedy and drama into a single, memorable act. The story follows a man caught in a whirlwind of domestic routine, desperate for a moment of escape from his wife's watchful eye. His quest leads him to an art exhibition, where a single painting captures his attention—a vivid depiction of his own home. The contrast between the mundane and the transcendent unfolds with quiet wit, as Iosseliani explores themes of longing, perception, and the unexpected beauty hidden in everyday life. Shot in under 10 minutes, the film packs emotional depth and visual charm into a compact format, leaving audiences both amused and reflective.
With a runtime that belies its impact, *Watercolor (1958)* showcases Sofiko Chiaureli and Gennadi Krashennikov in roles that balance humor and humanity. The minimalist storytelling and clever use of color and composition reflect Iosseliani's early cinematic voice, hinting at the bold vision he would later refine. This little-seen gem is a perfect introduction to the director's work for newcomers or a delightful footnote for longtime fans.