To See Paris and Die Poster

To See Paris and Die 1992

★ 1.73 votes120 min📅 1992-06-06

Aleksandr Proshkin's gripping 1992 drama *To See Paris and Die* plunges into the turbulent heart of Soviet-era Russia, where a mother's desperate ambition blurs into moral decay.

Director: Aleksandr Proshkin

Cast

Dmitriy Malikov
Dmitriy Malikov
Yuri
Tatyana Vasileva
Tatyana Vasileva
Elena
Vladimir Steklov
Vladimir Steklov
Stanislav Lyubshin
Stanislav Lyubshin
Ekaterina Semenova
Ekaterina Semenova
Oksana Arbuzova
Oksana Arbuzova
Nina Usatova
Nina Usatova
Viktor Stepanov
Viktor Stepanov
Nikolai Stambula
Yelena Fadeyeva
Yelena Fadeyeva

Frequently Asked Questions

What is To See Paris and Die (1992) about?

This 1992 drama follows Elena, a determined mother in Soviet Russia, who pursues every extreme measure to ensure her son Yuri wins a piano competition and secures a path to Paris. Her relentless ambition leads her to make morally compromising choices, testing the limits of her love and sanity.

Who directed To See Paris and Die?

Aleksandr Proshkin directed *To See Paris and Die (1992)*, delivering a film that blends psychological depth with the stark realities of Soviet life.

Who stars in To See Paris and Die?

The film features Dmitriy Malikov as Yuri, Tatyana Vasileva as Elena, Vladimir Steklov, Stanislav Lyubshin, and Ekaterina Semenova in pivotal roles.

Is To See Paris and Die (1992) worth watching?

With its intense themes and Proshkin's masterful direction, *To See Paris and Die* is a compelling watch for fans of Soviet-era dramas. While unrated on IMDb, its emotional weight and gripping narrative make it a standout film for those interested in historical and psychological storytelling.

How long is To See Paris and Die?

The runtime for *To See Paris and Die (1992)* is 120 minutes (2 hours).

About To See Paris and Die (1992) — A Mother's Obsession in Soviet Russia

Aleksandr Proshkin's gripping 1992 drama *To See Paris and Die* plunges into the turbulent heart of Soviet-era Russia, where a mother's desperate ambition blurs into moral decay. Set in the late 1960s, the film follows Elena, a woman who will stop at nothing to propel her son Yuri toward a piano competition that promises a golden ticket to Paris. Her obsession drives her to make heartbreaking sacrifices: she abandons her passion for an avant-garde artist, surrenders her dignity to a Party official, and even betrays her son's love for a Jewish girl. Paranoia seeps into her soul as she suspects every stranger—including a mysterious new lodger—as a KGB informant.

The atmosphere is thick with tension, as Proshkin weaves a story of sacrifice, betrayal, and the corrosive cost of ambition. The film's stark portrayal of a mother's love twisted into something destructive lingers long after the final scene, making *To See Paris and Die (1992)* a haunting exploration of ideals versus reality.