The Devil Is Driving 1932
"Eddie Lowe and Wynne Gibson...Tossing Flip Cracks into the Teeth of Hell itself!"
Dive into the gritty world of *The Devil Is Driving (1932)*, a fast-paced Pre-Code crime drama directed by Benjamin Stoloff. This 65-minute cinematic ride stars Edmund Lowe as Gabby Denton, a rough-around-the-edges drifter clinging to the fringes of society.
Director: Benjamin Stoloff
Cast
Frequently Asked Questions
What is *The Devil Is Driving (1932)* about?
This Pre-Code thriller follows Gabby Denton, a hard-luck drifter who takes a job at a garage only to discover it's a front for a stolen car ring. Quickly drawn into murder and a dangerous romance, Gabby must navigate a world where loyalty is scarce and danger lurks around every corner.
Who directed *The Devil Is Driving*?
The film was helmed by Benjamin Stoloff, a director known for his work in crime and action films during the early sound era.
Who stars in *The Devil Is Driving*?
The film features Edmund Lowe as Gabby Denton, alongside Wynne Gibson, James Gleason, Lois Wilson, and Alan Dinehart in pivotal roles.
Is *The Devil Is Driving (1932)* worth watching?
Though unrated, this Pre-Code gem offers a raw, energetic snapshot of early 1930s crime cinema. Its blend of action, romance, and dark humor—alongside strong performances from Lowe and Gibson—makes it a compelling watch for fans of classic crime dramas.
How long is *The Devil Is Driving*?
The film runs for 65 minutes, delivering a tight, action-packed runtime.
The Devil Is Driving (1932): A Gritty Pre-Code Crime Drama — Full Movie Info
Dive into the gritty world of *The Devil Is Driving (1932)*, a fast-paced Pre-Code crime drama directed by Benjamin Stoloff. This 65-minute cinematic ride stars Edmund Lowe as Gabby Denton, a rough-around-the-edges drifter clinging to the fringes of society. Hired by his brother-in-law as a mechanic, Gabby soon stumbles upon a dangerous truth—the garage he's working at is merely a cover for a high-stakes stolen car operation. As the stakes rise, Gabby's fate becomes entangled in a web of murder, deception, and an intoxicating romance with the enigmatic boss's moll.
Stoloff crafts a tense, morally ambiguous atmosphere where redemption feels as slippery as the oil-stained hands of a mechanic. The film blends action, comedy, and drama to explore themes of desperation, loyalty, and the blurred lines between right and wrong in a world teetering on the edge of collapse. With sharp dialogue and a breakneck pace, *The Devil Is Driving (1932)* delivers a snapshot of early 1930s crime cinema at its most unfiltered.