The Funeral 2008
A sharp, 9-minute dark comedy from rising director Sara St. Onge, *The Funeral (2008)* follows a woman in her early thirties who, confronting her own mortality, pivots from existential dread to obsessive planning.
Director: Sara St. Onge
Cast
Frequently Asked Questions
What is The Funeral (2008) about?
A woman in her thirties, facing her own mortality, decides to take control by meticulously orchestrating her own funeral. For her, it's not a tragedy—it's the ultimate performance, the one milestone her life has been missing.
Who directed The Funeral?
Sara St. Onge directed *The Funeral*, bringing a fresh, witty perspective to this offbeat dark comedy.
Who stars in The Funeral?
The film features Bob Kerr, Rebecca Addelman, Holly Prazoff, and Inessa Frantowski in its core ensemble.
Is The Funeral (2008) worth watching?
At just 9 minutes, this dark comedy punches above its weight with clever writing and sharp performances. While it's niche, fans of absurdist humor and quick, thought-provoking films will find it rewarding. Think of it as a bite-sized cinematic curiosity rather than a mainstream hit.
How long is The Funeral?
The runtime of *The Funeral* is 9 minutes.
About The Funeral (2008) — A Dark Comedy Where the Best Finale is Your Own Funeral
A sharp, 9-minute dark comedy from rising director Sara St. Onge, *The Funeral (2008)* follows a woman in her early thirties who, confronting her own mortality, pivots from existential dread to obsessive planning. Her meticulously staged funeral becomes the grand finale her life lacked—no wedding, no major milestones, just a one-woman show for an audience of the departed. With its biting wit and absurdist twists, the film blends humor with a surprisingly poignant reflection on purpose and legacy.
Shot in a tight, energetic style, *The Funeral* thrives on its lead's deadpan energy and the director's knack for turning mundane details into comedic gold. It's a micro-budget gem that packs big ideas into a compact runtime, leaving viewers both amused and quietly moved. Perfect for fans of quirky indie comedies where every punchline feels like a eulogy for wasted potential.