And That on Monday Morning Poster

And That on Monday Morning 1959

95 min📅 1959-07-13

In Luigi Comencini's 1959 comedy *And That on Monday Morning*, a routine bank manager reaches his breaking point after another dull weekend.

Director: Luigi Comencini

Cast

O.W. Fischer
O.W. Fischer
Alois Kessel
Ulla Jacobsson
Ulla Jacobsson
Delia Mond
Vera Tschechowa
Vera Tschechowa
Monika
Werner Finck
Werner Finck
Prof. Gross
Reinhard Kolldehoff
Reinhard Kolldehoff
Herr Müller
Blandine Ebinger
Blandine Ebinger
Frau Präfke
Siegfried Schürenberg
Siegfried Schürenberg
Herr von Schmitz
Inge Wolffberg
Inge Wolffberg
Patientin
Elvira Schalcher
Sekretärin

Frequently Asked Questions

What is And That on Monday Morning (1959) about?

This 1959 comedy follows a bank manager who, after years of dull routine, stages a one-man rebellion by skipping work to indulge in toys and music. His chaotic day off draws the attention of a sympathetic psychiatrist, setting off a chain of events that challenges his perspective on life.

Who directed And That on Monday Morning?

Luigi Comencini, the Italian director known for his sharp comedies and social satires, helmed this lighthearted farce.

Who stars in And That on Monday Morning?

The film features O.W. Fischer, Ulla Jacobsson, Vera Tschechowa, Werner Finck, and Reinhard Kolldehoff in key roles.

Is And That on Monday Morning (1959) worth watching?

While not a groundbreaking classic, the film offers charming performances and a relatable premise about breaking free from monotony. Its nostalgic 1950s setting and comedic tone make it a pleasant watch for fans of lighthearted fare.

How long is And That on Monday Morning?

The runtime is 95 minutes.

About And That on Monday Morning (1959) — A 1950s Comedy About Rebellious Midlife Crisis

In Luigi Comencini's 1959 comedy *And That on Monday Morning*, a routine bank manager reaches his breaking point after another dull weekend. Exhausted by the monotony of his career and personal life, he decides to rebel by staying home, immersing himself in childhood toys and joining a radio concert with his own instruments. His spirited defiance doesn't go unnoticed, especially by a charming psychiatrist he admires, who steps in to guide him through his midlife crisis.

This lighthearted farce blends playful whimsy with sharp observations about the pressures of conformity. Comencini's direction keeps the tone breezy but touches on deeper themes of self-discovery and the suffocating weight of routine. With a runtime of 95 minutes, it's a brisk escape into the absurdity of adult responsibilities.