Hare Krishna 1967
Jonas Mekas's *Hare Krishna (1967)* is a fleeting yet electric snapshot of spiritual awakening in 1960s New York.
Director: Jonas Mekas
Cast
Frequently Asked Questions
What is Hare Krishna (1967) about?
This short film documents a Hare Krishna group's procession through New York City, where their chanting and music transform the streets into a space of spiritual expression. Jonas Mekas's experimental lens turns a brief moment into an enduring snapshot of cultural and religious fervor.
Who directed Hare Krishna?
The film was directed by Jonas Mekas, the pioneering Lithuanian-American filmmaker known for his avant-garde and autobiographical style.
Who stars in Hare Krishna?
The film features Srila Prabhupada, Barbara Rubin, Philip Corner, and Allen Ginsberg as central figures in the Hare Krishna movement's street procession.
Is Hare Krishna (1967) worth watching?
At just four minutes long, *Hare Krishna* offers a unique glimpse into 1960s counterculture and spiritual awakening. While not a mainstream narrative, its experimental charm and historical significance make it a fascinating watch for fans of avant-garde cinema and documentary films.
How long is Hare Krishna?
The runtime of *Hare Krishna (1967)* is 4 minutes.
About Hare Krishna (1967) — Jonas Mekas' Avant-Garde Devotion in a 4-Minute Film
Jonas Mekas's *Hare Krishna (1967)* is a fleeting yet electric snapshot of spiritual awakening in 1960s New York. The legendary avant-garde filmmaker captures a spontaneous procession of devotees chanting and dancing through the streets, their energy infectious as it blends into the urban fabric. Shot with Mekas's signature handheld intimacy, the film pulses with raw authenticity, offering more than just documentation—it's a hypnotic meditation on devotion, community, and the power of collective song. Though just four minutes long, its impressionistic rhythm lingers, evoking the fervor of a movement finding its voice in unexpected places.
This tiny masterpiece, later woven into Mekas's larger work *Walden*, stands as a testament to the director's belief in cinema as a shared experience. The black-and-white footage crackles with life, contrasting the grit of the city with the transcendence of Krishna mantras. It's less a traditional documentary and more a poetic invocation, where every frame feels alive with curiosity and wonder.