
Agonizing in Crime 1968
In Enrique López Eguiluz's haunting 1968 crime-horror hybrid *Agonizing in Crime*, newlywed Jean mourns the sudden death of his wife during surgery, her mysterious illness leaving him shattered.
Director: Enrique López Eguiluz
Cast








Frequently Asked Questions
What is Agonizing in Crime (1968) about?
The film follows Jean, a grieving groom whose wife dies mid-surgery, driving him into a spiral of sorrow. Meanwhile, a serial killer targets surgical students, leaving their hands severed—a macabre echo of the tragedy that shattered Jean's world.
Who directed Agonizing in Crime?
Enrique López Eguiluz directed this chilling Spanish crime-horror film.
Who stars in Agonizing in Crime?
The film stars horror icon Paul Naschy alongside Irene Gutiérrez Caba, Pepe Rubio, Yelena Samarina, and Tomás Blanco in pivotal roles.
Is Agonizing in Crime (1968) worth watching?
Though unrated, its fusion of crime and horror with psychological depth makes it a cult pick for fans of atmospheric 1960s thrillers. The tight runtime and Naschy's performance elevate its minor flaws, offering a unique twist on revenge narratives.
How long is Agonizing in Crime?
The film runs for 85 minutes.
About Agonizing in Crime (1968) — A Spanish Horror-Crime Masterpiece Exploring Loss and Amputated Sins
In Enrique López Eguiluz's haunting 1968 crime-horror hybrid *Agonizing in Crime*, newlywed Jean mourns the sudden death of his wife during surgery, her mysterious illness leaving him shattered. As his grief deepens, a chilling wave of murders sweeps through the city—each victim a surgical student, their hands cruelly amputated, mirroring a pattern that blurs the line between medical tragedy and supernatural vengeance.
With its eerie atmosphere and unsettling themes of loss and retribution, this Spanish gem blends psychological dread with visceral horror. Paul Naschy leads a cast steeped in emotional intensity, while the film's tight 85-minute runtime keeps tension high. A forgotten treasure of the genre, *Agonizing in Crime* lingers like an unhealed wound, its shadowy corridors and medical nightmares lingering long after the credits roll.