

Four Moods 1970
Four Moods (1970) is a captivating Chinese-language anthology drama blending fantasy and romance, directed by Li Han-hsiang with contributions from legendary filmmaker King Hu.
Director: Lee Hsing
Cast










Frequently Asked Questions
What is Four Moods (1970) about?
Four Moods is an anthology drama that weaves together four distinct stories, each exploring different facets of human emotion. The film blends fantasy and romance with striking visuals and operatic influences, creating a rich tapestry of drama and intrigue.
Who directed Four Moods?
Four Moods was directed by Li Han-hsiang, with one segment helmed by the acclaimed King Hu, both pivotal figures in Chinese-language cinema.
Who stars in Four Moods?
The film features Zhen Zhen, Yueh Yang, Chang Mei-Yao, Li Li-Hua, and Peter Yang Kwan in prominent roles.
Is Four Moods (1970) worth watching?
With its unique anthology format and stellar direction from Li Han-hsiang and King Hu, Four Moods offers a compelling glimpse into 1960s Chinese cinema. Fans of drama, fantasy, and romance will appreciate its thematic depth and visual artistry, making it a standout in the genre.
How long is Four Moods?
Four Moods has a runtime of 140 minutes.
🎥 Trailer
About Four Moods (1970) — A Masterful Chinese Anthology of Love, Fantasy & Drama
Four Moods (1970) is a captivating Chinese-language anthology drama blending fantasy and romance, directed by Li Han-hsiang with contributions from legendary filmmaker King Hu. This portmanteau film unfolds through four distinct moods, each showcasing the era's cinematic flair and narrative depth. The segment 'Anger,' crafted by King Hu, transports viewers to a Peking opera-infused world where political intrigue and vengeance collide in a dimly lit inn, set to stirring operatic tones. Li Han-hsiang's segment 'Happiness' contrasts with a lighter, more whimsical touch, weaving together themes of joy and human connection. Together, these stories create a rich tapestry of emotions, framed by the opulent visual style and thematic boldness that defined 1960s Chinese cinema.
The film's atmosphere is steeped in nostalgia and dramatic tension, with each segment offering a unique perspective on love, power, and fate. Zhen Zhen, Yueh Yang, and Chang Mei-Yao deliver standout performances, anchoring the film with their expressive portrayals of characters caught between destiny and desire. Four Moods is a celebration of storytelling craft, where each mood invites audiences to explore the complexities of the human experience through a blend of traditional artistry and modern cinematic techniques.




