
Tomorrow Is Always Too Long 2014
Phil Collins' *Tomorrow Is Always Too Long* (2014) is a poetic urban symphony and affectionate ode to Glasgow, blending music, animation, and raw local storytelling into a vibrant mosaic of city life.
Director: Phil Collins
Cast

Frequently Asked Questions
What is Tomorrow Is Always Too Long (2014) about?
This experimental film by Phil Collins captures Glasgow through music, animation, and candid community voices. It's a medley of predictions, performances, and urban snapshots woven together via a local cable TV station's unique lens. The result is a poetic time capsule of a city dreaming its future into being.
Who directed Tomorrow Is Always Too Long?
Tomorrow Is Always Too Long was directed by Phil Collins, the acclaimed artist known for his boundary-pushing multimedia projects that blend social engagement with creative expression.
Who stars in Tomorrow Is Always Too Long?
The film stars Mick Harden, Kate Dickie, and Molly Christie in key roles that ground its musical and narrative explorations.
Is Tomorrow Is Always Too Long (2014) worth watching?
For fans of experimental cinema and urban storytelling, *Tomorrow Is Always Too Long* offers a fresh, immersive experience. Its 82-minute runtime keeps it tight and engaging, while Collins' inventive approach makes it a standout among city symphonies. Though not widely rated, its thematic depth and artistic vision make it a rewarding watch for curious viewers.
How long is Tomorrow Is Always Too Long?
Tomorrow Is Always Too Long runs for 82 minutes.
About Tomorrow Is Always Too Long (2014) — Phil Collins' experimental love letter to Glasgow plays out in song and city symphony
Phil Collins' *Tomorrow Is Always Too Long* (2014) is a poetic urban symphony and affectionate ode to Glasgow, blending music, animation, and raw local storytelling into a vibrant mosaic of city life. Commissioned for the Commonwealth 2014 celebrations, the film weaves together musical performances, candid predictions from residents, and nostalgic glimpses of a city in motion—all filtered through the lens of a quirky, Glaswegian cable TV station. Whether capturing the optimism of schoolchildren, the wisdom of elders, or the rhythm of everyday neighborhoods, Collins crafts a visually inventive portrait that pulses with the energy and contradictions of urban existence.
The atmosphere is both celebratory and introspective, oscillating between playful experimentation and heartfelt reflection. Through collaboration with diverse communities—from maternity wards to community centers—*Tomorrow Is Always Too Long* becomes more than a film; it's a communal act of creation and hope, where the future feels both uncertain and full of possibilities. A unique blend of documentary, art film, and musical odyssey, this 82-minute journey invites viewers to see Glasgow—and perhaps their own cities—through fresh, imaginative eyes.