
Kick In 1917
Step into the shadowy world of early 20th-century crime with *Kick In (1917)*, a silent-era melodrama that weaves tension and moral ambiguity into its compact runtime.
Director: George Fitzmaurice
Cast


Frequently Asked Questions
What is Kick In (1917) about?
*Kick In* is a silent-era crime drama set in the underbelly of early 20th-century New York, where characters grapple with the consequences of their actions in a morally complex world. The story revolves around a group entangled in deception and crime, forcing them to confront the cost of their choices. Think of it as a tense, dialogue-light thriller where silence speaks volumes.
Who directed Kick In?
*Kick In* was directed by George Fitzmaurice, a filmmaker known for his keen eye for drama and atmospheric storytelling in the silent era.
Who stars in Kick In?
The film stars William Courtenay, Robert Clugston, Mollie King, Richard Taber, and Suzanne Willa in pivotal roles, with John W. Boyle contributing behind the camera as well.
Is Kick In (1917) worth watching?
As a silent-era crime drama, *Kick In* offers a fascinating glimpse into early filmmaking, though its value depends on your appreciation for historical cinema. With no IMDb rating to gauge audience response, its worth lies in its atmospheric storytelling and Fitzmaurice's direction. Fans of silent films or early crime dramas may find it intriguing despite its lost status.
How long is Kick In?
The film runs approximately 50 minutes, a compact runtime typical of silent-era productions.
About Kick In (1917) — A Lost Silent Crime Drama Explored
Step into the shadowy world of early 20th-century crime with *Kick In (1917)*, a silent-era melodrama that weaves tension and moral ambiguity into its compact runtime. Directed by George Fitzmaurice, this lost film adapts Willard Mack's 1914 Broadway play, delivering a gritty narrative where desperation and betrayal collide behind closed doors. Set in a morally gray landscape, the story follows characters caught in a web of crime, their fates hinging on choices that blur the line between justice and survival. The silent visuals amplify the atmosphere, immersing viewers in a world where every glance and gesture carries weight.
As a crime drama from cinema's silent age, *Kick In (1917)* stands out for its sharp storytelling and atmospheric tension, despite its brevity. Fitzmaurice's direction skillfully crafts a claustrophobic tension, while the performances—led by William Courtenay, Robert Clugston, and Mollie King—bring depth to roles defined by conflict and intrigue. Though lost to time, the film remains a fascinating snapshot of early filmmaking's ability to convey drama through minimal dialogue and maximal atmosphere.