The Planting 2011
Jason R. Goode's *The Planting (2011)* delivers a biting, micro-drama that strips away life's illusions through the brutal simplicity of manual labor.
Director: Jason R. Goode
Cast
Frequently Asked Questions
What is The Planting (2011) about?
*The Planting* follows a man named Chris, whose life has been defined by a meaningless routine of digging and refilling holes. As he faces his final task, the film reflects on futility, time, and the inescapable nature of his existence.
Who directed The Planting?
The film was directed by Jason R. Goode, a filmmaker known for crafting concise, impactful narratives.
Who stars in The Planting?
The short features Ben Cotton, Michael Eklund, and Giovanni Mocibob in key roles that anchor its raw emotional core.
Is The Planting (2011) worth watching?
As a tightly executed five-minute drama, *The Planting* is worth watching for its stark storytelling and themes of resignation. While unrated on IMDb, its genre and atmosphere make it a compelling slice of existential cinema.
How long is The Planting?
The runtime is 5 minutes.
About The Planting (2011) — A 5-Minute Drama on Meaning and the End of the Line
Jason R. Goode's *The Planting (2011)* delivers a biting, micro-drama that strips away life's illusions through the brutal simplicity of manual labor. At just five minutes long, the film follows Chris, a man who has spent his existence trapped in a senseless cycle—digging holes only to fill them back in—before confronting the final, inevitable task. The short's stark atmosphere lingers like the scent of turned earth, using its condensed runtime to explore themes of futility, resignation, and the quiet despair of a life without purpose. Cinematography and pacing amplify the sense of monotony, leaving viewers to ponder the metaphorical holes we bury ourselves in.
Starring Ben Cotton, Michael Eklund, and Giovanni Mocibob, *The Planting* is a stark character study within the drama genre, where every shovelful of dirt feels like a metaphorical nail in the coffin of ambition. The film's unflinching gaze at labor as both punishment and purgatory makes it a haunting meditation on existence, wrapped in a package so tight it forces you to sit with the discomfort long after the credits roll.