Fear in the City (1181 Days Later or Smell of Rats) 1984
Directed by Davorin Marc, *Fear in the City (1181 Days Later or Smell of Rats)* (1984) is a raw, 21-minute Super8 post-punk drama that pulses with the rebellious energy of its era.
Director: Davorin Marc
Frequently Asked Questions
What is *Fear in the City (1181 Days Later or Smell of Rats)* (1984) about?
This 21-minute Super8 film explores the restless energy and decay of 1980s Ljubljana through a post-punk lens. It's less a traditional story and more a visceral document of urban life, capturing the anxieties and rebellious spirit of its time.
Who directed *Fear in the City (1181 Days Later or Smell of Rats)*?
Davorin Marc directed the film, known for his bold visual experiments and thematic explorations throughout his oeuvre.
Who stars in *Fear in the City (1181 Days Later or Smell of Rats)*?
Cast details are not publicly available.
Is *Fear in the City (1181 Days Later or Smell of Rats)* (1984) worth watching?
While reviews are limited due to its niche status, the film's experimental approach and cultural significance make it a compelling watch for fans of 1980s post-punk cinema. Its short runtime and raw aesthetic also make it accessible for those seeking something offbeat.
How long is *Fear in the City (1181 Days Later or Smell of Rats)*?
The film runs for 21 minutes.
Fear in the City (1181 Days Later or Smell of Rats) (1984): The Super8 Post-Punk Time Capsule — Full Movie Info
Directed by Davorin Marc, *Fear in the City (1181 Days Later or Smell of Rats)* (1984) is a raw, 21-minute Super8 post-punk drama that pulses with the rebellious energy of its era. The film dives deep into the urban decay and existential unease of 1980s Ljubljana, capturing the spirit of a generation through Marc's bold visual storytelling and unflinching thematic focus. With its grainy, intimate aesthetic, the movie feels less like a narrative and more like a visceral snapshot—a time capsule of post-punk angst filtered through the lens of a filmmaker unafraid to experiment.
Stripped of conventional plotting, *Fear in the City* thrives on atmosphere, weaving together the sights, sounds, and tensions of a city on the brink. Marc's direction eschews polished techniques in favor of immediacy, creating a haunting portrait of urban life where every frame crackles with raw emotion. The film's atmosphere lingers long after it ends, leaving viewers with a sense of unease and fascination for its uncompromising vision.