I Sing All Day, I Sing All Night 1979
"Traveling Earthquake!"
Dive into the glittering world of 1970s Yugoslav pop stardom with *I Sing All Day, I Sing All Night (1979)*, a vibrant documentary that pulls back the curtain on Zdravko Čolić's electrifying "Traveling Earthquake Tour.
Director: Jovan Ristić
Cast
Frequently Asked Questions
What is *I Sing All Day, I Sing All Night* (1979) about?
This documentary follows pop icon Zdravko Čolić during his legendary "Traveling Earthquake Tour," revealing the man behind the glittering persona. It's a journey through the highs of live performances, the dynamics of his band, and the cultural impact of a star who defined an era.
Who directed *I Sing All Day, I Sing All Night*?
Jovan Ristić directed this immersive behind-the-scenes look at Čolić's tour.
Who stars in *I Sing All Day, I Sing All Night*?
The film features Zdravko Čolić, Kornelije Kovač, Arsen Dedić, Kemal Monteno, and Dušan 'Duško' Radović, along with dancer Lokica Stefanović.
Is *I Sing All Day, I Sing All Night* (1979) worth watching?
For fans of music documentaries and 1970s pop culture, this film is a gem. While it's not rated, its blend of performance footage and intimate moments offers a nostalgic glimpse into an iconic artist's golden years.
How long is *I Sing All Day, I Sing All Night*?
The runtime is 90 minutes.
About *I Sing All Day, I Sing All Night* (1979) — The electrifying rise of Yugoslavia's greatest pop star
Dive into the glittering world of 1970s Yugoslav pop stardom with *I Sing All Day, I Sing All Night (1979)*, a vibrant documentary that pulls back the curtain on Zdravko Čolić's electrifying "Traveling Earthquake Tour." Directed by Jovan Ristić, this 90-minute film isn't just about the thunderous ovations or the dazzling stage performances—it's a backstage pass to the man behind the microphone, exploring the persona, the passion, and the pressures of a pop sensation at the peak of his fame.
With a pulse-quickening blend of music and candid storytelling, the documentary captures the raw energy of live shows, the camaraderie of Čolić's band, and the cultural phenomenon he became. Through the lens of Ristić's camera, viewers experience the spectacle of glittering suits, synchronized dancers, and the sheer magnetism of a performer who could command the stage—and the hearts of an entire nation. The film pulses with the rhythm of an era when pop music was as much about spectacle as it was about soul.