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anyone lived in a pretty [how] town 1967
Step into the abstract world of *anyone lived in a pretty [how] town* (1967), a short experimental film by George Lucas that breathes cinematic life into E.E. Cummings' enigmatic poem.
Director: George Lucas
Cast
Frequently Asked Questions
What is *anyone lived in a pretty [how] town* (1967) about?
This experimental short film interprets E.E. Cummings' poem through a visual narrative, depicting the lives of ordinary townspeople and the quiet romance of two individuals overlooked by their community. The story contrasts collective anonymity with the intimate bond between two lovers.
Who directed *anyone lived in a pretty [how] town*?
George Lucas directed this 1967 short film, which predates his iconic *Star Wars* saga and showcases his early experimentation with visual storytelling.
Who stars in *anyone lived in a pretty [how] town*?
The film features John Strawbridge, Nancy Yates, and Lance Larson in its core cast, bringing Cummings' poetic characters to life through silent, expressive performances.
Is *anyone lived in a pretty [how] town* (1967) worth watching?
While not a mainstream feature, this six-minute experimental film is a fascinating watch for lovers of avant-garde cinema. Its poetic themes and George Lucas' direction make it a unique piece, even if it lacks the polish of his later works. It's best appreciated as a niche gem rather than a must-see classic.
How long is *anyone lived in a pretty [how] town*?
The film runs for approximately 6 minutes.
About anyone lived in a pretty [how] town (1967) — E.E. Cummings' poem reimagined by a young George Lucas
Step into the abstract world of *anyone lived in a pretty [how] town* (1967), a short experimental film by George Lucas that breathes cinematic life into E.E. Cummings' enigmatic poem. This six-minute visual poem explores the quiet cycle of existence in a small town, where ordinary routines mask deeper emotional currents. The story contrasts the anonymous masses with the tender, unnoticed bond between two lovers—'anyone' and 'noone'—whose relationship unfolds against the backdrop of an indifferent community. Lucas transforms Cummings' verses into a hypnotic montage of urban monotony and fleeting intimacy, using stark black-and-white imagery to evoke both nostalgia and existential weight.
The film's minimalist approach strips away dialogue, relying instead on rhythm, movement, and symbolism to mirror the poem's themes of love, time, and anonymity. With its haunting visuals and underlying melancholy, *anyone lived in a pretty [how] town* offers a meditation on how beauty and connection can thrive even in overlooked corners of the world. A hidden gem in Lucas' early filmography, it's a must-see for fans of avant-garde cinema and poetic storytelling.