The End of the World (Don't You Just Know It) 1982
Dive into the quirky British short film *The End of the World (Don't You Just Know It)* (1982), directed by Ian Bourn. This eight-minute experiment in suburban surrealism follows a couple navigating the mundane and the absurd during a lazy Sunday.
Director: Ian Bourn
Cast
Frequently Asked Questions
What is *The End of the World (Don't You Just Know It)* (1982) about?
This 1982 short film explores suburban domesticity through the lens of the absurd, focusing on a couple whose Sunday afternoon takes an unexpectedly surreal turn. With tea, a video game, and idle conversation, what begins as a quiet routine spirals into something quietly unsettling. The film blends humor and existential dread in a way that feels both familiar and strange.
Who directed *The End of the World (Don't You Just Know It)*?
Ian Bourn directed this experimental short, blending dry wit with a keen eye for suburban minutiae.
Who stars in *The End of the World (Don't You Just Know It)*?
The film stars director Ian Bourn alongside the late Helen Chadwick in the lead roles, delivering performances that balance irony and melancholy.
Is *The End of the World (Don't You Just Know It)* (1982) worth watching?
While it's a niche experimental short, *The End of the World* offers a clever, atmospheric snapshot of 1980s British cinema. Its blend of humor and quiet dread makes it a memorable watch for fans of offbeat arthouse films, even if it's not for everyone.
How long is *The End of the World (Don't You Just Know It)*?
The film runs for 8 minutes, making it a quick but impactful viewing experience.
About The End of the World (Don't You Just Know It) (1982) — A surreal British short film about domestic absurdity
Dive into the quirky British short film *The End of the World (Don't You Just Know It)* (1982), directed by Ian Bourn. This eight-minute experiment in suburban surrealism follows a couple navigating the mundane and the absurd during a lazy Sunday. With a video game humming in the background and tea steeping in the still-bare room, the film captures the tension between domestic routine and existential dread. Shot in bright sunlight and muted interiors, it blends dry humor with a quiet sense of unease, turning an ordinary afternoon into something quietly unsettling.
Bourn and the late Helen Chadwick deliver understated performances that make the surreal feel strangely relatable. The film's minimalist style and sharp observational tone create an atmosphere that's both playful and unsettling, challenging viewers to find meaning in the most ordinary moments. Whether you're drawn to its artistic ambition or its offbeat charm, *The End of the World* offers a brief but memorable snapshot of 1980s British short cinema at its most inventive.