
Alias the Deacon 1940
"IT'S A THREE RING RUCKUS!"
Step right up to the circus-like chaos of *Alias the Deacon* (1940), a spirited comedy-adventure where Bob Burns stars as a small-town deacon with a hidden talent for cardsharp trickery.
Director: Christy Cabanne
Cast










Frequently Asked Questions
What is Alias the Deacon (1940) about?
This 1940 comedy-adventure follows a small-town deacon whose meek exterior conceals a secret as a cardsharp, leading to a chaotic series of events when a local fight game becomes the center of a high-spirited scam. When a trio of crooks stumbles into town, the deacon's true talents are put to the test in a whirlwind of misdirection and mischief.
Who directed Alias the Deacon?
Alias the Deacon was directed by Christy Cabanne, a filmmaker known for his work in both comedy and adventure genres during the golden age of Hollywood.
Who stars in Alias the Deacon?
The film features Bob Burns in the lead role, supported by Mischa Auer, Peggy Moran, Dennis O'Keefe, and Edward Brophy in key supporting parts.
Is Alias the Deacon (1940) worth watching?
While it lacks an IMDb rating, *Alias the Deacon* (1940) is a delightful relic of pre-code Hollywood, offering fans of vintage comedies a brisk 74-minute escape into farce and charm. Its blend of lighthearted adventure and gentle satire makes it a fun watch for those who enjoy classic film antics.
How long is Alias the Deacon?
Alias the Deacon (1940) runs for 74 minutes.
About Alias the Deacon (1940) — A Deacon's Hidden Gambit Unfolds in Comedy Adventure
Step right up to the circus-like chaos of *Alias the Deacon* (1940), a spirited comedy-adventure where Bob Burns stars as a small-town deacon with a hidden talent for cardsharp trickery. Directed by the versatile Christy Cabanne, this 74-minute romp blends rural charm with high-stakes deception, throwing Dennis O'Keefe and Mischa Auer into the mix as unlikely allies in a high-spirited brawl of fists and farce. The film crackles with the energy of a barnstorming carnival, where a seemingly simple fight game spirals into a comedic spectacle of mistaken identities and moral high jinks. With Peggy Moran adding a touch of romantic intrigue and Edward Brophy's burly presence grounding the madness, this classic delivers a lighthearted escape into the absurd.
Set against the backdrop of a sleepy town where deception lurks beneath the deacon's collar, *Alias the Deacon* (1940) is a masterclass in gentle misdirection. Cabanne's direction keeps the tone breezy, balancing slapstick humor with the thrill of a con artist's gambit, all wrapped in the gleeful anarchy of a three-ring circus. The tagline says it all: it's a spectacle where nothing—and no one—is as it seems.