Crying Underwater 2002
Alicia Scherson's avant-garde short film *Crying Underwater* (2002) unfolds like a poetic puzzle within the labyrinthine corridors of O'Hare International Airport.
Director: Alicia Scherson
Cast
Frequently Asked Questions
What is Crying Underwater (2002) about?
*Crying Underwater* follows four strangers—each carrying their own emotional baggage—through the corridors of O'Hare Airport. Their paths intersect in subtle ways, as they each confront the paradox of being grounded in a place designed for departure. The film blends the mundane with the mysterious, leaving their stories open to interpretation.
Who directed Crying Underwater?
Alicia Scherson directed *Crying Underwater*. Known for her innovative and visually striking storytelling, Scherson crafts this short film as a meditative exploration of human connection.
Who stars in Crying Underwater?
The film stars Joseph Costa, Sophia Chai, Rado Sivak, and Anna Ura, each embodying one of the enigmatic characters wandering O'Hare's vast terminal.
Is Crying Underwater (2002) worth watching?
*Crying Underwater* is a gem for fans of atmospheric, genre-blending short films. At just 17 minutes, it packs a punch with its visually poetic storytelling and unresolved mystery. While it may not appeal to those seeking traditional narratives, its experimental approach offers a unique cinematic experience worth discovering.
How long is Crying Underwater?
The runtime of *Crying Underwater* is 17 minutes.
About Crying Underwater (2002) — A 17-minute mystery where every step feels like a question
Alicia Scherson's avant-garde short film *Crying Underwater* (2002) unfolds like a poetic puzzle within the labyrinthine corridors of O'Hare International Airport. Four enigmatic characters—the Cell Phone Girl, the Reading Man, the Depressed Pilot, and the Silent Girl—navigate the terminal's vast spaces, each grappling with the existential weight of their surroundings. The film's dreamlike atmosphere blends mystery with introspection, as the characters' journeys mirror the paradox of movement and stillness, questioning how heaviness (literal or emotional) can coexist with flight. Scherson's visual storytelling captures the mundane yet surreal energy of air travel, transforming a bustling airport into a stage for quiet introspection and unresolved longing.
With a runtime of just 17 minutes, *Crying Underwater* is a compact yet profound exploration of human connection and isolation. The characters' interactions are sparse but charged with unspoken tension, as if each glance or gesture holds the key to a deeper truth. The film's genre-defying approach leans into mystery without offering clear answers, inviting viewers to lean into the ambiguity. It's a snapshot of fleeting moments, where the weight of existence feels as tangible as the tarmac beneath a plane's wheels.