Hallelujah 1997
In the chaotic tapestry of 1990s Korean comedy, *Hallelujah (1997)* stands out as a razor-sharp satire about deception and redemption.
Director: Shin Seung-soo
Cast
Frequently Asked Questions
What is Hallelujah (1997) about?
A smooth-talking grifter stumbles into a bizarre scheme when he impersonates a comatose pastor to siphon money from a desperate congregation. As the con spirals out of control, the line between victim and villain starts to blur, turning this comedy into a sharp commentary on greed and gullibility.
Who directed Hallelujah?
Shin Seung-soo directed this 1997 Korean comedy, known for blending satire with broad humor.
Who stars in Hallelujah?
Park Joong-hoon leads the cast as the cunning imposter, joined by Lee Kyung-young, Cha Tae-hyun, Choi Ji-woo, and Sung Hyun-ah in pivotal roles.
Is Hallelujah (1997) worth watching?
While not a household name today, *Hallelujah* offers a fun, fast-paced ride with solid performances from its ensemble cast. Fans of 90s Korean comedies or irreverent tales about con artists will find it a quick, entertaining watch—just don't expect deep social commentary.
How long is Hallelujah?
Hallelujah runs for 98 minutes, making it a brisk and bingeable comedy.
Hallelujah (1997): A Comedy of Lies and Holy Imposters — Full Movie Info
In the chaotic tapestry of 1990s Korean comedy, *Hallelujah (1997)* stands out as a razor-sharp satire about deception and redemption. Directed by Shin Seung-soo, this offbeat comedy follows a slick con artist who seizes an unexpected opportunity when he fraudulently poses as a comatose pastor to scam a small congregation out of funds. With a cast led by the versatile Park Joong-hoon, the rising Cha Tae-hyun, and the elegant Choi Ji-woo, the film blends absurd humor with a surprisingly heartfelt look at how far people will go for money—and how easily they can be fooled. The atmosphere is a mix of farce and irony, where every character has their own agenda, and the line between saint and swindler blurs beneath the neon lights of Seoul's underbelly.
What makes *Hallelujah (1997)* memorable isn't just its laugh-out-loud premise but the way it uses comedy to explore human folly. The story rides a wave of mistaken identities and opportunism, all wrapped in the garish trappings of a struggling church's desperate fundraising. With its sharp script and standout performances, especially from Park Joong-hoon as the slippery protagonist, this film captures the spirit of 90s Korean cinema—bold, unpredictable, and unafraid to laugh at society's contradictions.