Girls, Tricky 2001
Dive into the raw energy of Trip-Hop in *Girls, Tricky* (2001), Steve McQueen's intimate documentary that captures Tricky's magnetic recording process for the track 'girls' from his album *Blowback*.
Director: Steve McQueen
Cast
Frequently Asked Questions
What is *Girls, Tricky* (2001) about?
This short documentary follows Trip-Hop artist Tricky as he records the song 'girls' in a studio, delving into the emotional weight of his lyrics. The film explores themes of relationships, absence, and the creative process within a confined space.
Who directed *Girls, Tricky*?
Steve McQueen, the acclaimed filmmaker behind *12 Years a Slave* and *Hunger*, directed this gripping 15-minute documentary.
Who stars in *Girls, Tricky*?
The documentary features Trip-Hop musician Tricky, born Adrian Thaws, as the sole focus of this creative exploration.
Is *Girls, Tricky* (2001) worth watching?
For fans of music documentaries and Trip-Hop, *Girls, Tricky* offers a rare glimpse into Tricky's creative process. While brief, its intensity and themes make it a compelling watch, even without a rating.
How long is *Girls, Tricky*?
*Girls, Tricky* runs for 15 minutes.
About Girls, Tricky (2001) — Steve McQueen's intimate Trip-Hop studio session
Dive into the raw energy of Trip-Hop in *Girls, Tricky* (2001), Steve McQueen's intimate documentary that captures Tricky's magnetic recording process for the track 'girls' from his album *Blowback*.
Locked in a cramped studio, Tricky—born Adrian Thaws—delivers a hauntingly introspective performance, weaving lyrics that dissect the complexities of relationships, absence, and identity. The film's confined space mirrors the intensity of the music, with Tricky's voice echoing themes of love, fatherhood, and the blurred lines between desire and detachment. McQueen's lens turns a simple recording session into a visceral exploration of artistry and emotion.
A 15-minute capsule of creativity, *Girls, Tricks* (2001) is a must-watch for fans of documentary films and music documentaries alike.